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dc.contributor.authorАkosheva, Мarzhan
dc.contributor.authorRakhimzhanov, Кanat
dc.contributor.authorTemirgazina, Zifa
dc.date.accessioned2023-02-24T18:49:34Z
dc.date.available2023-02-24T18:49:34Z
dc.date.issued2022-04-15
dc.identifier.citationАkosheva М., Rakhimzhanov К., & Temirgazina Z. (2022). Who do we compare ugly people with? Standards of ugliness in the Russian language. Slavia Centralis, 15(1), 138–154. Retrieved from https://journals.um.si/index.php/slaviacentralis/article/view/1846en_US
dc.identifier.urihttp://hdl.handle.net/1808/33918
dc.description.abstractČlanek na podlagi gradiva nacionalnega korpusa ruskega jezika raziskuje kriterije človeške grdote v ruščini, izražene v primerah in metaforah. Kriteriji so vključeni v figurativno komponento pojma grdota. Njegovo bistvo je opredeljeno kot odstopanje od norme in stereotipnega videza osebe. Tematsko so kriteriji grdote združeni v skupine zoonimov, slovanskih in antičnih mitonimov ter imen literarnih likov. Kognitivna osnova za izbiro koncepta grdote je lahko arhetip ‘naš – tujec’, na primer v skupini zoonimov (opica, kamela) ali v poimenovanjih tujcev, nekrščanskih bogov (Buda, burjatski bog). Najpogostejši koncept grdote je precedenčno ime literarnega junaka – Quasimodo. Menimo, da je to posledica dejstva, da so v njegovi podobi utelešene prototipične značilnosti grdote: grba, šepanje, bradavica na obrazu. Kriteriji grdote so spolno zaznamovani, zaznamujejo bodisi moško bodisi žensko grdoto; nekateri kriteriji pa niso opredeljeni glede na spol in označujejo tako moško kot žensko grdoto, odvisno od konteksta.

The article explores the standards of human ugliness in the Russian language, expressed in comparisons and metaphors, based on the material of the National Corpus of the Russian Language. Standards are included in the figurative component of the concept “ugliness”. The essence of ugliness is defined as a deviation from the norm and stereotype of a person’s appearance. Thematically, the standards of ugliness are combined into groups of zoonyms, Slavic and antique mythonyms and names of literary heroes. The cognitive basis for choosing the standard of ugliness can be the archetype “ours” – “alien”, for example, in the group of zoonyms (monkey, marmoset, camel) or in the names of “alien”, non- Christian gods (Buddha, Buryat god). The most frequent standard of ugliness is the precedent name of the literary hero – Quasimodo. In our opinion, this is due to the fact that prototypical features of ugliness are embodied in his image: A hump, a limp, a wart on the face. Standards of ugliness are gender-marked – they characterise either male or female ugliness; some of the standards are not gender-marked and characterise both male and female ugliness, depending on the context.
en_US
dc.publisherUniversity of Maribor, Department of Slavic Languages and Literaturesen_US
dc.relation.isversionofhttps://journals.um.si/index.php/slaviacentralis/article/view/1846en_US
dc.rightsCopyright (c) 2022 University of Maribor Press. This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.en_US
dc.rights.urihttp://creativecommons.org/licenses/by-nc/4.0/en_US
dc.subjectKoncepten_US
dc.subjectGrdotaen_US
dc.subjectKriterijien_US
dc.subjectPrimerjalna besedna figuraen_US
dc.subjectZoonimien_US
dc.subjectMitonimien_US
dc.subjectConcepten_US
dc.subjectUglinessen_US
dc.subjectStandardsen_US
dc.subjectComparative figure of speechen_US
dc.subjectZoonymsen_US
dc.subjectMythonymsen_US
dc.titleWho do we compare ugly people with? Standards of ugliness in the Russian languageen_US
dc.title.alternativeС кем мы сравниваем уродливых людей? Эталоны уродства в русском языкеen_US
dc.typeArticleen_US
kusw.oaversionScholarly/refereed, publisher versionen_US
kusw.oapolicyThis item meets KU Open Access policy criteria.en_US
dc.rights.accessrightsopenAccessen_US


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Copyright (c) 2022 University of Maribor Press. This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Except where otherwise noted, this item's license is described as: Copyright (c) 2022 University of Maribor Press. This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.