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dc.contributor.advisorKatz, Cima
dc.contributor.authorPospichal, Todd
dc.date.accessioned2011-08-02T18:56:25Z
dc.date.available2011-08-02T18:56:25Z
dc.date.issued2011-04-13
dc.date.submitted2011
dc.identifier.otherhttp://dissertations.umi.com/ku:11384
dc.identifier.urihttp://hdl.handle.net/1808/7869
dc.description.abstractMy creative process emerges from the struggle between two contrasting impulses: a habitual desire to control my internal and external environments, and an instinctive need to overcome these constraints. The discoveries I have made in the studio have fostered my desire to confront anxiety and make critical decisions in the face of uncertain outcomes. For me, the process of making has become a mode of thinking. It has become a way of remembering the past, envisioning the future, and experiencing the present moment. I find that working with collage in combined analog and digital formats, allows me to experiment with images and materials in an immediate way. As a result, my studio practice has provided a way for me to circumvent the controlling mind, and to re-examine some of the old, outdated paradigms I have about life and art.
dc.format.extent14 pages
dc.language.isoen
dc.publisherUniversity of Kansas
dc.rightsThis item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author.
dc.subjectFine arts
dc.subjectAbstract
dc.subjectCollage
dc.subjectContemporary
dc.subjectControl
dc.subjectPainting
dc.subjectTime
dc.titleCircumventing Control
dc.typeThesis
dc.contributor.cmtememberCarter, Carol Ann
dc.contributor.cmtememberBrackett, David
dc.thesis.degreeDisciplineVisual Art
dc.thesis.degreeLevelM.F.A.
kusw.oastatusna
kusw.oapolicyThis item does not meet KU Open Access policy criteria.
kusw.bibid7642902
dc.rights.accessrightsopenAccess


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