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dc.contributor.advisorMcCrea, Judith
dc.contributor.authorWard, Nicholas Adam
dc.date.accessioned2011-04-26T01:41:15Z
dc.date.available2011-04-26T01:41:15Z
dc.date.issued2010-04-30
dc.date.submitted2010
dc.identifier.otherhttp://dissertations.umi.com/ku:10805
dc.identifier.urihttp://hdl.handle.net/1808/7405
dc.description.abstractMachine For Grinding Fog, an exhibition of stop motion animated films, revolves around three primary concerns: relationships, psychological or subjective reality, and relativity. Rooted within concerns of faith, personal ethics, and a re-evaluation of individual and artistic purpose, the poem and animations identify what I, at first, perceived as a multitude of contradicting tones, tones of futility coexisting with tones of a childlike playfulness. These viewpoints became interchangeable, altering perspectives with such rapidity that a blurred subjectivity evolved from the once polar sentiments. When the conveyance of this experience is created as art, it becomes experiential in itself and is in turn experienced. This is our basic chemical process, regenerative and transformative. For me, this is the role of poetics and the process of art making.  
dc.format.extent4 pages
dc.language.isoen
dc.publisherUniversity of Kansas
dc.rightsThis item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author.
dc.subjectFine arts
dc.subjectPhilosophy
dc.subjectPsychology
dc.subjectAbsurd
dc.subjectAnimation
dc.subjectArt
dc.subjectRelationships
dc.subjectRelativity
dc.subjectStop motion
dc.titleMachine For Grinding Fog
dc.typeThesis
dc.contributor.cmtememberPark, So Yeon
dc.contributor.cmtememberKrueger, Michael
dc.thesis.degreeDisciplineVisual Art
dc.thesis.degreeLevelM.F.A.
kusw.oastatusna
kusw.oapolicyThis item does not meet KU Open Access policy criteria.
kusw.bibid7642805
dc.rights.accessrightsopenAccess


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