Abstract
This paper intends to show all the (con)texts in which Esterházy articulates
new models of life and literature, and the aesthetic changes
which rock the traditional concept of justice. It further shows the
importance of intertextuality, according to which each “text is an
intertext”, and each text is a patchwork of quotations and the previous
or environment-shaping culture. I also deal with the unique dance of
these figures in the “Celestial Harmonies”, as it is this kind of creativity
and textuality that makes Esterházy’s texts work.
Razprava razgrinja poglavitne (kon)tekste, v katerih je Esterházy
artikuliral nove modele resničnosti in literature, tiste umetnostnoestetske
premike, ki so kritično spodkopali tradicionalna pojmovanja
resnice. Prikaže resnično prelomne razsežnosti intertekstualnosti, v
katero je ujet vsak tekst, kjer je meja med znotraj- in zunajtekstualnim
zabrisana, branje pa docela pretkano s citati, referencami, z različnimi
kulturnimi govoricami, družbeno-kulturnimi kodi. Podrobneje želim
prikazati to zapleteno mrežo prelomov in prehodov v konstrukciji
Esterházyjevih del, predvsem v Harmoniji caelestis.