| dc.contributor.advisor | Bial, Henry | |
| dc.contributor.author | Kepley, Susanne | |
| dc.date.accessioned | 2008-09-15T04:32:41Z | |
| dc.date.available | 2008-09-15T04:32:41Z | |
| dc.date.issued | 2008-07-29 | |
| dc.date.submitted | 2008 | |
| dc.identifier.other | http://dissertations2.umi.com/ku:2601 | |
| dc.identifier.uri | http://hdl.handle.net/1808/4197 | |
| dc.description.abstract | This thesis explores the legacy of silence that surrounds Sophie Treadwell and her work. It does so by investigating the abundant and poetic stage directions she provides within her play "Machinal". | |
| dc.format.extent | 57 pages | |
| dc.language.iso | EN | |
| dc.publisher | University of Kansas | |
| dc.rights | This item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author. | |
| dc.subject | Theater | |
| dc.title | MACHINAL: SILENCE, STAGE DIRECTIONS AND SOPHIE TREADWELL | |
| dc.type | Thesis | |
| dc.contributor.cmtemember | Fischer, Iris | |
| dc.contributor.cmtemember | Leon, Mechele | |
| dc.thesis.degreeDiscipline | Theatre & Film | |
| dc.thesis.degreeLevel | M.A. | |
| kusw.oastatus | na | |
| kusw.oapolicy | This item does not meet KU Open Access policy criteria. | |
| kusw.bibid | 6857343 | |
| dc.rights.accessrights | openAccess | |
