Pri mojih durih čaka smrt. Osupljiva privlačnost niča. Dekadentne tendence v poeziji Vide Jeraj
Issue Date
2019-02Author
Doležal, Alenka Jensterle
Publisher
University of Maribor, Department of Slavic Languages and Literatures
Type
Article
Article Version
Scholarly/refereed, publisher version
Published Version
http://www.ff.um.si/dotAsset/79446.pdfRights
Copyright 2019, the Authors. All articles are licensed under a Creative Commons Attribution Non-Commercial 4.0 International License (CC-BY-NC).
Metadata
Show full item recordAbstract
V razpravi1 se tematizirajo dekadentne tendence v poeziji in življenju prve slovenske
pesnice intime Vide Jeraj (Franice Vovk, 1875–1932). Lirična pesnica je bila
vitalni element slovenske moderne tako na Bledu (Zasipu) kot na Dunaju. Začela
je pisati v kontekstu sprememb v srednjeevropskih kulturah, ki so se zaključile
na koncu prve svetovne vojne z razpadom skupne države. Pripadala je generaciji
kozmopolitskih avtoric, ki se je uveljavila v obdobju fin-de-siècla v slovenski
kulturi, v tem času na periferiji avstro-ogrskega imperija. V njenem literarnem
opusu nas zanimajo pesmi o smrti.
The topics of the article are the decadent tendencies in the poetry and life of the
first Slovenian female lyricist Vida Jeraj (Franica Vovk, 1875–1932) who was a
vital part of the Slovenian modernist network (“Slovenian moderna”) in Bled
(Zasip) and Vienna. She began to write in the context of transformation in Central
European cultures which ended with the collapse of the former joint State. Jeraj
belonged to the generation of young cosmopolitan women writers who broke
through in in the Fin-de-Siècle period in Slovene society, at that time the periphery
of the Austro-Hungarian Empire. In her literary work we analyse poems expressing
motives of death.
ISSN
2385-8753Collections
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