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dc.contributor.authorWilson, Aimee Armande
dc.date.accessioned2019-03-04T16:30:14Z
dc.date.available2019-03-04T16:30:14Z
dc.date.issued2019-02-07
dc.identifier.citationWilson, Aimee Armande. "Writing." Bloomsbury Companion to Feminist Theory. Ed. Robin Truth Goodman. Bloomsbury, 2019en_US
dc.identifier.urihttp://hdl.handle.net/1808/27711
dc.description.abstractIs there a difference between writing by men and that produced by women? What does that difference look like? What about writing by non-binary individuals? Aimee Armande Wilson surveys critical responses to these questions (including ones from Gloria Anzaldúa, Judith Butler, Hélène Cixous, Elaine Showalter, and Alice Walker) before moving into a discussion of the most important factor affecting writing in the twenty-first century, the internet. More specifically, Wilson considers electronic writing, blogs, and social media using the theories of Anne Balsamo, Donna Haraway, Katherine Hayles, and Sherry Turkle. Although the intensely personal, confessional style that characterizes most blogs and social media posts is practically synonymous with many people’s understanding of “women’s writing” (for right or wrong), blogs and social media posts are nevertheless designed to be public, and often with political intent. These genres therefore necessitate new answers to old questions about privacy, power, style, and gender.en_US
dc.publisherBloomsbury Publishingen_US
dc.subjectConfessional writingen_US
dc.subjectÉcriture feminineen_US
dc.subjectElectronic writingen_US
dc.subjectGenderen_US
dc.subjectGynocriticismen_US
dc.subjectInterneten_US
dc.subjectPost-structuralismen_US
dc.subjectSemioticen_US
dc.subjectWoman’s sentenceen_US
dc.titleWritingen_US
dc.typeBook chapteren_US
kusw.kuauthorWilson, Aimee Armande
kusw.kudepartmentHumanities Programen_US
dc.rights.accessrightsopenAccessen_US


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