米国における能楽研究の実態と私の能狂言を中心とした演出活動 [1] ―1960年代から20世紀の終わりまでー
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2001-08Article Version
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Center for East Asian Studies Scholarly Works;
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Andrew Tsubaki writes about the study of Nō musical theatre in the United States from the point of view of a Nō director from the 1960s to the end of the 20th century.
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This is the first part of an eight-part essay.
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Tsubaki, Andrew 椿, アンドリュー T. "Beikoku Ni Okeru nōgaku kenkyū No Jittai to Watakushi No nō kyōgen o chūshin to Shita Enshutsu katsudō -1960-Nendai Kara 20-Seiki No Owari Made-." 米国における能楽研究の実態と私の能狂言を中心とした演出活動 [1] ー 一九六〇年代から20世紀の終わりまでー" ("The condition of nōgaku studies in North America and my directing activities concerning nō and kyōgen: from the 1960s to the end of the 20th century"). Sōgō Geijutsu to Shite No nō 総合芸術としての能 (Nō as the Comprehensive Art), no. 7, 8AD (2001): 6–16.
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