Center for East Asian Studies Publication Series

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Ideas, Determination, Power: How Zhang Juzheng Dominated China, 1572–82
(© The Estate of John W. Dardess, 2021-08) Dardess, John W.; Schneewind, Sarah; Tindall, Bruce M.
Zhang Juzheng (1525-1582) was psychologically the most complex of Ming China’s chief grand secretaries. His rise owed something to an appealing combination of brilliance with diffidence and humility. He was learned, and mastered the literary arts of memorization, comprehension, and interpretation, and the articulation of these things in a clear and creative way in writing. But learning, for Zhang, was never enough. One’s learning, if thoroughly and conscientiously come by, must somehow find its appropriate impact and end in the rectified governance of a realm that after functioning in a faltering way for two centuries had developed some very serious problems. Anything less was just vapid talk. To prepare himself, Zhang joined learning with psychological self-strengthening to meet the political resistance that could be expected in the future. Zhang was not outgoing, but did share feats and frustrations with friendly colleagues in the field. Was Zhang Juzheng corrupt? Martyr complex. (Sarah Schneewind)
堪薩斯大學東亞圖書館五十年
(Ainosco Press, 2012) Doll, Vickie
A brief history of the East Asian collection of the University of Kansas. Chinese translation of the author’s 2010 article “Fifty years of the East Asian Collection at the University of Kansas” appeared in X. P. Zhou (Ed.), Collecting Asia: East Asian Libraries in North America, 1868-2008. Ann Arbor, Mich.: Association for Asian Studies.
米国における能楽研究の実態と私の能狂言を中心とした演出活動 ―1960年代から20世紀の終わりまでー (complete works)
(University of Kansas, Center for East Asian Studies, 2019-02) Tsubaki, Andrew; Tsubaki, アンドリュー T; 椿, アンドリュー T
History and studies of Noh in U. S. as looking through Andrew Tsubaki's kyōgen programs, from 1960 to the end of the 20th century (complete works).
米国における能楽研究の実態と私の能狂言を中心とした演出活動 (8) ―1960年代から20世紀の終わりまでー
(University of Kansas, Center for East Asian Studies, 2002-03) Tsubaki, Andrew; 椿, アンドリュー
Andrew Tsubaki reports on the study of Nō musical theatre in the United States during the 1960s and the later twentieth century.
米国における能楽研究の実態と私の能狂言を中心とした演出活動 (7) ―1960年代から20世紀の終わりまでー
(University of Kansas, Center for East Asian Studies, 2002-02) Tsubaki, Andrew; 椿, アンドリュー T
Andrew Tsubaki reports on the study of Nō musical theatre in the United States during the 1960s and the later twentieth century.
米国における能楽研究の実態と私の能狂言を中心とした演出活動 (6) ―1960年代から20世紀の終わりまでー
(University of Kansas, Center for East Asian Studies, 2002-01) Tsubaki, Andrew; 椿, アンドリュー T
Andrew Tsubaki reports on the study of Nō musical theatre in the United States during the 1960s and the later twentieth century.
米国における能楽研究の実態と私の能狂言を中心とした演出活動 (5) ―1960年代から20世紀の終わりまでー
(University of Kansas, Center for East Asian Studies, 2001-12) Tsubaki, Andrew; 椿, アンドリュー T
Andrew Tsubaki reports on the study of Nō musical theatre in the United States during the 1960s and the later twentieth century.
米国における能楽研究の実態と私の能狂言を中心とした演出活動 (4) ―1960年代から20世紀の終わりまでー
(University of Kansas, Center for East Asian Studies, 2001-11) Tsubaki, Andrew; 椿, アンドリュー T
Andrew Tsubaki reports on the study of Nō musical theatre in the United States during the 1960s and the later twentieth century.
米国における能楽研究の実態と私の能狂言を中心とした演出活動 (3) ―1960年代から20世紀の終わりまでー
(Zeami gakkai 世阿弥学会 (Zeami Association), 2001-10) Tsubaki, Andrew; 椿, アンドリュー T
Andrew Tsubaki reports on the study of Nō musical theatre in the United States during the 1960s and the later twentieth century.
米国における能楽研究の実態と私の能狂言を中心とした演出活動 (2) ―1960年代から20世紀の終わりまでー
(Zeami gakkai 世阿弥学会 (Zeami Association), 2001-09) Tsubaki, Andrew; 椿, アンドリュー T
Andrew Tsubaki reports on the study of Nō musical theatre in the United States during the 1960s and the later twentieth century.
米国における能楽研究の実態と私の能狂言を中心とした演出活動 [1] ―1960年代から20世紀の終わりまでー
(Zeami gakkai 世阿弥学会 (Zeami Association), 2001-08) Tsubaki, Andrew; 椿, アンドリュー T
Andrew Tsubaki writes about the study of Nō musical theatre in the United States from the point of view of a Nō director from the 1960s to the end of the 20th century.
1940 Japan-America Student Conference
(University of Kansas, Center for East Asian Studies, 1999-01-01) Halsema, James; Goodman, Grant K.; Torii, Hiroshi; Ishikawa, Haruko
“Several years ago in a casual conversation Jim Halsema not only told me that he was a student delegate to the 7th Japan-America Student Conference held in Japan, but that he had kept a diary of that experience. Luckily for us Jim had that diary in his possession and has been willing to share it with us. Because Jim Halsema was an incredibly astute and careful observer, even at the relatively tender age of 21, we are able to share his keen perceptions of Japan, Korea, Manchuria, and China on the eve of the Pacific War. And what we are able to discern in retrospect from the Halsema diary is that a) the Japanese government had no intention whatever of diminishing its imperial state in Northeast Asia and b) that Japanese public opinion was extremely supportive of that position. From Halsema's observations one easily deduces that, behind the rhetoric of comity which is endemic in the nature of the Japan-America Student Conference, there was already evident a significant degree of tension at the base of Japanese-American relations. That Halsema was as insightful as he was can surely be attributed to his native intelligence and to his education and in particular, to his exposure to Asia including Japan from his earliest childhood.”—Goodman’s intro.
Those Days in Muramatsu: Diary by Mrs. Yumi Goto
(University of Kansas, Center for East Asian Studies, 2009-01-01) Goto, Yumi; Goodman, Grant K.; Schutlz, Elizabeth A.
"Like other personal writings, Yumi Goto's memoir, _Those Days in Muramatsu_, is both private and public. It reflects upon an interlude not only in her personal history but also in the social history of Japan. More precisely, Mrs. Goto's memoir reflects upon those days from September to December 1945 when she served as an interpreter for the railroad company working with the American military stationed as part of the Allied Occupation in Muramatsu, a small rural town in the province of Niigata in northern Japan; as such, the memoir illuminates a significant moment in the history of Japan-American relations, during which the lives of diverse people in Muramatsu were connected with the lives of 1500 American GIs." --- Introduction by Grant K. Goodman
Savior as Ascetic, Shakyamuni Undergoing Austerities by Kano Kazunobu
(University of Kansas, Spencer Museum of Art, 2010-07-01) Graham, Patricia J.
An introduction of the Japanese Buddhist painting portraying a haunting image of an emaciated, half-naked man by the Japanese artist Kano Kazunobu (1815–1863), collected by the Spencer Museum of Art’s Asian art gallery.
Early Modern Japanese Art History: An Overview of the State of the Field
(University of Kansas, Center for East Asian Studies, 2002-09-01) Graham, Patricia J.
Xiao jing yin de
(University of Kansas, East Asian Library, 1993-01-01) Johnson, Wallace; Gochenour, Todd; White, Kevin
A concordance to the Xiao Jing (the Filial Piety Classic)
Concordance of Proper Nouns in the Five-Volume English-Language: Selected Works of Mao Tse-tung
(University of Kansas, Center for East Asian Studies, 1968-01-01) Lindquist, Harry M.; Meyer, Roger D.
An Advanced Reader in Chinese History
(University of Kansas, Center for East Asian Studies, 1973-01-01) Wan, Grace; Johnson, Wallace; Doll, Vickie
The Problem of Philippine Independence and Japan: The First Three Decades of American Colonial Rule
(University of Kansas, Center for East Asian Studies, 1972-01-01) Goodman, Grant K.
China Omnibus: A Report of the Archaelogical Study Tour to Henan Province
(University of Kansas, Center for East Asian Studies, 1983-01-01) Shankel, Delbert M.; Li, Chu-tsing; Lee, Chae-Jin

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