| dc.contributor.advisor | Bitters, Shawn | |
| dc.contributor.author | Flaming, Jared | |
| dc.date.accessioned | 2013-08-24T22:40:58Z | |
| dc.date.available | 2013-08-24T22:40:58Z | |
| dc.date.issued | 2013-05-31 | |
| dc.date.submitted | 2013 | |
| dc.identifier.other | http://dissertations.umi.com/ku:12781 | |
| dc.identifier.uri | http://hdl.handle.net/1808/11729 | |
| dc.description.abstract | This paper conducts a critical examination in a deconstructive manner of a series of paintings by the author. It closely mirrors a post-structuralist style of questioning. It utilizes deconstructive tactics and notions formulated by Jacques Derrida. This paper poses interpretations on issues such as the limit of an image and the relationship between text and representations. It utilizes the terminology of semiotics to contrast different types of symbolism. | |
| dc.format.extent | 28 pages | |
| dc.language.iso | en | |
| dc.publisher | University of Kansas | |
| dc.rights | This item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author. | |
| dc.subject | Aesthetics | |
| dc.subject | Philosophy | |
| dc.subject | Deconstruction | |
| dc.subject | Derrida, Jacques | |
| dc.subject | Painting | |
| dc.title | Passe-Partout | |
| dc.type | Thesis | |
| dc.contributor.cmtemember | Cateforis, David | |
| dc.contributor.cmtemember | McCrea, Judith | |
| dc.thesis.degreeDiscipline | Visual Art | |
| dc.thesis.degreeLevel | M.F.A. | |
| kusw.oastatus | na | |
| kusw.oapolicy | This item does not meet KU Open Access policy criteria. | |
| kusw.bibid | 8086234 | |
| dc.rights.accessrights | openAccess | |
