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    Considering Network Recursion and Bartok's "Fourths"

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    Bartok_MTO_ScholarWorks.pdf (1.562Mb)
    Issue Date
    2007-09
    Author
    Murphy, Scott
    Publisher
    Society for Music Theory
    Type
    Article
    Article Version
    Scholarly/refereed, author accepted manuscript
    Published Version
    http://www.mtosmt.org/issues/mto.07.13.3/mto.07.13.3.murphy.html
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    Abstract
    Notions of network recursion, as they have been designated in music analyses, may be organized into five categories that range from exact self-similarity to self-dissimilarity. This perspective reveals that Michael Buchler’s critique of network recursion does not necessarily fully apply to analyses in all categories of network recursion. An analysis of Bartók’s “Fourths” serves as an example of how network recursion analysis can achieve significant results and avoid most of, if not all of, Buchler’s critique.
    Description
    This is the author's final draft. The publisher's official version is available from: http://www.mtosmt.org/issues/mto.07.13.3/mto.07.13.3.murphy.html
    URI
    http://hdl.handle.net/1808/9976
    Collections
    • Music Scholarly Works [32]
    Citation
    Murphy, Scott. “Considering Network Recursion and Bartók’s ‘Fourths’,” Music Theory Online 13/3 (September 2007).

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    785-864-8983

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    Lawrence, KS 66045
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    Contact KU ScholarWorks
    785-864-8983
    KU Libraries
    1425 Jayhawk Blvd
    Lawrence, KS 66045
    785-864-8983

    KU Libraries
    1425 Jayhawk Blvd
    Lawrence, KS 66045
    Image Credits
     

     

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