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On Metre in the Rondo of Brahms's Op. 25
dc.contributor.author | Murphy, Scott | |
dc.date.accessioned | 2012-06-21T20:52:56Z | |
dc.date.available | 2012-06-21T20:52:56Z | |
dc.date.issued | 2007 | |
dc.identifier.citation | Murphy, Scott. “On Metre in the Rondo of Brahms’s Op. 25,” Music Analysis 26/3 (October 2007): 323-353. http://dx.doi.org/10.1111/j.1468-2249.2008.00261.x | |
dc.identifier.uri | http://hdl.handle.net/1808/9938 | |
dc.description.abstract | The rondo from Brahms's Piano Quartet Op. 25 projects a number of different metres which may be organised into various metric spaces modelled on those of David Lewin and Richard Cohn. Although this organisation does not yield the multiple pitch-time analogical mappings proposed by Lewin and Cohn, it may be fruitfully applied to many works of Brahms and other composers. I argue that a movement's centrally located metre (the work's `logical' metric tonic) tends also to be its primary metre (the work's `rhetorical' metric tonic), and outline a new method for hearing contiguities in certain metric spaces. I conclude by designing a metric space tailored for the metres of the Op. 25 rondo, in which the refrain's `tonic' metre is centrally located in three dimensions. | |
dc.language.iso | en_US | |
dc.publisher | Wiley-Blackwell | |
dc.title | On Metre in the Rondo of Brahms's Op. 25 | |
dc.type | Article | |
kusw.kuauthor | Murphy, Scott | |
kusw.kudepartment | Music | |
kusw.oastatus | fullparticipation | |
dc.identifier.doi | 10.1111/j.1468-2249.2008.00261.x | |
kusw.oaversion | Scholarly/refereed, author accepted manuscript | |
kusw.oapolicy | This item meets KU Open Access policy criteria. | |
dc.rights.accessrights | openAccess |