Show simple item record

dc.contributor.authorHaney, Peter C.
dc.date.accessioned2012-06-19T19:05:21Z
dc.date.available2012-06-19T19:05:21Z
dc.date.issued1999
dc.identifier.citationHaney, Peter. (1999)“Fantasía and Disobedient Daughters: Un-distressing Genres and Re-inventing Traditions in the Mexican-American Carpa.” Journal of American Folklore 112(445): 437-449.
dc.identifier.urihttp://hdl.handle.net/1808/9920
dc.descriptionPublished as Haney, Peter. (1999)“Fantasía and Disobedient Daughters: Un-distressing Genres and Re-inventing Traditions in the Mexican-American Carpa.” Journal of American Folklore 112(445): 437-449. © 1999 by the American Folklore Society
dc.description.abstractDuring the 1930s and 1940s, female performers in Mexican American tent shows in San Antonio modified the costumes associated with Mexican "folkloric" dances, incorporating elements derived from vaudeville, to form a hybrid style called fantasia. This style asserted Mexican American identity while subverting the purist nationalism of folklórico dances and marking the performers' entry into newly public female roles. At the same time, it also involved the performers in reified masculinist discourses of female beauty and fashion.
dc.language.isoen_US
dc.publisherAmerican Folklore Society
dc.titleFantasía and Disobedient Daughters Undistressing Genres and Reinventing Traditions in the Mexican American Carpa
dc.typeArticle
kusw.kuauthorHaney, Peter C.
kusw.kudepartmentCenter for Latin American Studies
kusw.oastatusfullparticipation
kusw.oaversionScholarly/refereed, publisher version
kusw.oapolicyThis item meets KU Open Access policy criteria.
dc.rights.accessrightsopenAccess


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record