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dc.contributor.authorTell, Dave
dc.date.accessioned2012-06-18T22:07:43Z
dc.date.available2013-12-12T13:10:03Z
dc.date.issued2012-06
dc.identifier.citationTell Dave. “The Meanings of Kansas: Rhetoric, Regions, and Counter Regions.” Rhetoric Society Quarterly 42.5 (2012):214-232. http://dx.doi.org/10.1080/02773945.2012.682843
dc.identifier.urihttp://hdl.handle.net/1808/9916
dc.descriptionThis is a preprint of an article whose final and definitive form has been published in the RHETORIC QUARTERLY © 2012 Taylor & Francis; RHETORIC QUARTERLY is available online at: http://www.tandfonline.com/loi/rrsq20.
dc.description.abstractThis essay uses the Kansas reception of Truman Capote's 1966 In Cold Blood to reflect on processes of regionalism and resistance. Noting that Capote and In Cold Blood were articulated quite differently in different portions of the state of Kansas, I explain how Kansans used a text that was imposed on them to craft for themselves regional identities of their own making. I call these “counter regions,” a term I coin to emphasize that region making is an important, if often overlooked, ingredient in practices of cultural resistance.
dc.language.isoen_US
dc.publisherTaylor and Francis
dc.titleThe Meanings of Kansas: Rhetoric, Regions, and Counter Regions
dc.typeArticle
kusw.kuauthorTell, Dave
kusw.kudepartmentCommunication Studies
kusw.oastatusfullparticipation
dc.identifier.doi10.1080/02773945.2012.682843
kusw.oaversionScholarly/refereed, author accepted manuscript
kusw.oapolicyThis item meets KU Open Access policy criteria.
dc.rights.accessrightsopenAccess


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