ATTENTION: The software behind KU ScholarWorks is being upgraded to a new version. Starting July 15th, users will not be able to log in to the system, add items, nor make any changes until the new version is in place at the end of July. Searching for articles and opening files will continue to work while the system is being updated.
If you have any questions, please contact Marianne Reed at mreed@ku.edu .
A Composite Approach to Ives' "Cage"
dc.contributor.author | Murphy, Scott | |
dc.date.accessioned | 2012-06-18T17:09:38Z | |
dc.date.available | 2012-06-18T17:09:38Z | |
dc.date.issued | 2008-09 | |
dc.identifier.citation | Murphy, Scott. A Composite Approach to Ives' "Cage". Twentieth Century Music 5:2 (September 2008) p. 179-193. http://dx.doi.org/10.1017/S1478572209990041 | |
dc.identifier.uri | http://hdl.handle.net/1808/9915 | |
dc.description | This is the published version. | |
dc.description.abstract | In his book "A Union of Diversities," Larry Starr's analysis of Charles Ives' "The Cage" contrasts with most readings of the song in that he focuses on how the points of congruence between the highly dissimilar vocal and piano parts form a "powerful unity" but provides no specific analytical method for examining this unity more closely. A study is presented that offers one such method for "The Cage," revealing a path within a virtual, bounded space that correlates with some of the syntactic and semantic aspects of the song's text. The author shows how these syntactic correlations also hold true in a similar passage in Ives' song "Majority." | |
dc.publisher | Cambridge University Press | |
dc.title | A Composite Approach to Ives' "Cage" | |
dc.type | Article | |
kusw.kuauthor | Murphy, Scott | |
kusw.kudepartment | Music | |
kusw.oastatus | fullparticipation | |
dc.identifier.doi | 10.1017/S1478572209990041 | |
kusw.oaversion | Scholarly/refereed, publisher version | |
kusw.oapolicy | This item meets KU Open Access policy criteria. | |
dc.rights.accessrights | openAccess |