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dc.contributor.authorHaney, Peter C.
dc.date.accessioned2012-06-12T21:30:09Z
dc.date.available2012-06-12T21:30:09Z
dc.date.issued2000
dc.identifier.citationHaney, Peter C. “Sol, sombra, y media luz: Parody, Genre Play, and Identity Formation in the Mexican American Carpa.” Pragmatics 10(1):99-124.
dc.identifier.urihttp://hdl.handle.net/1808/9903
dc.descriptionThis is the publisher's official version, also available electronically here: http://elanguage.net/journals/pragmatics/article/view/2635/2605
dc.description.abstractThis paper analyzes a parody of the tango "A media luz" that was performed by Rodolfo García, a Mexican American comedian who worked in his family's tent show, the Carpa García, in the early 1940s. I argue that by juxtaposing the generic conventions of the tango with those of the canción ranchera and by introducing carni valesque humor, Mr. Garcia's parody articulated a distinctly local Mexican American identity which was strongly linked to a sense of working-class masculinity. In this way, the parody highlights the class- and gender-based contradictions that were inherent in ongoing processes of Mexican American identity formation at mid-century.
dc.language.isoen
dc.publisherInternational Pragmatics Association (IPrA)
dc.subjectPopular Theater
dc.subjectGenre
dc.subjectGreater Mexico
dc.titleSol, Sombra, y Media Luz: History, Parody, and Identity Formation in the Mexican American Carpa
dc.typeArticle
kusw.kuauthorHaney, Peter C.
kusw.kudepartmentCenter of Latin American Studies
kusw.oastatusfullparticipation
kusw.oaversionScholarly/refereed, publisher version
kusw.oapolicyThis item meets KU Open Access policy criteria.
dc.rights.accessrightsopenAccess


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