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Sol, Sombra, y Media Luz: History, Parody, and Identity Formation in the Mexican American Carpa
dc.contributor.author | Haney, Peter C. | |
dc.date.accessioned | 2012-06-12T21:30:09Z | |
dc.date.available | 2012-06-12T21:30:09Z | |
dc.date.issued | 2000 | |
dc.identifier.citation | Haney, Peter C. “Sol, sombra, y media luz: Parody, Genre Play, and Identity Formation in the Mexican American Carpa.” Pragmatics 10(1):99-124. | |
dc.identifier.uri | http://hdl.handle.net/1808/9903 | |
dc.description | This is the publisher's official version, also available electronically here: http://elanguage.net/journals/pragmatics/article/view/2635/2605 | |
dc.description.abstract | This paper analyzes a parody of the tango "A media luz" that was performed by Rodolfo García, a Mexican American comedian who worked in his family's tent show, the Carpa García, in the early 1940s. I argue that by juxtaposing the generic conventions of the tango with those of the canción ranchera and by introducing carni valesque humor, Mr. Garcia's parody articulated a distinctly local Mexican American identity which was strongly linked to a sense of working-class masculinity. In this way, the parody highlights the class- and gender-based contradictions that were inherent in ongoing processes of Mexican American identity formation at mid-century. | |
dc.language.iso | en | |
dc.publisher | International Pragmatics Association (IPrA) | |
dc.subject | Popular Theater | |
dc.subject | Genre | |
dc.subject | Greater Mexico | |
dc.title | Sol, Sombra, y Media Luz: History, Parody, and Identity Formation in the Mexican American Carpa | |
dc.type | Article | |
kusw.kuauthor | Haney, Peter C. | |
kusw.kudepartment | Center of Latin American Studies | |
kusw.oastatus | fullparticipation | |
kusw.oaversion | Scholarly/refereed, publisher version | |
kusw.oapolicy | This item meets KU Open Access policy criteria. | |
dc.rights.accessrights | openAccess |
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