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dc.contributor.authorInnocenti, Beth
dc.date.accessioned2010-04-20T22:15:30Z
dc.date.available2010-04-20T22:15:30Z
dc.date.issued1994
dc.identifier.citationInnocenti, Beth. “Towards a Theory of Vivid Description as Practiced in Cicero’s Verrine Orations.” Rhetorica 12 (1994): 355-81.
dc.identifier.urihttp://hdl.handle.net/1808/6162
dc.descriptionThis is the publisher's version, also available electronically from ‘Caliber’ (http://caliber.ucpress.net/) or ‘AnthroSource’ (http://www.aaanet.org/publications/anthrosource/).
dc.description.abstractAncient Roman rhetoricians do not offer a systematic theory of vivid description in their rhetorical treatises, perhaps because it was treated at the early stages of a student's education and because it may be produced in various ways to achieve various purposes. After examining the references to vivid description scattered throughout ancient rhetorical treatises in discussions of style, amplification, narration, and proof, as well as Cicero's use of the technique in the "Verrine" orations, I suggest precepts which may have guided the means by and ends for which vivid descriptions are produced.
dc.language.isoen_US
dc.publisherUniversity of California Press
dc.relation.isversionofhttp://www.jstor.org/stable/pdfplus/20135429.pdf
dc.titleTowards a Theory of Vivid Description as Practiced in Cicero’s Verrine Orations.
dc.typeArticle
kusw.kuauthorInnocenti, Beth
kusw.kudepartmentCommunication Studies
kusw.oaversionScholarly/refereed, publisher version
kusw.oapolicyThis item does not meet KU Open Access policy criteria.
dc.rights.accessrightsopenAccess


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