| dc.contributor.author | Washburn, Franci | |
| dc.date.accessioned | 2010-01-26T16:16:26Z | |
| dc.date.available | 2010-01-26T16:16:26Z | |
| dc.date.issued | 2002-09-01 | |
| dc.identifier.citation | Indigenous Nations Journal, Volume 3, Number 2 (Fall, 2002), pp. 21-31 | |
| dc.identifier.uri | http://hdl.handle.net/1808/5784 | |
| dc.description.abstract | Drawing upon the works of Franz Fanon, Homi Bhabha, and Edward W. Said, this essay examines the construction of the post-colonial colonized subject through the eyes of the colonizer in James Welch's The Heartsong of Charging Elk. Furthermore, this essay addresses the doubling or trebling of identity construction/erasure created when Welch moves the main character, Charging Elk, from the United States to France. | |
| dc.language.iso | en | |
| dc.publisher | Global Indigenous Nations Studies Program, University of Kansas: http://www.indigenous.ku.edu | |
| dc.rights | Copyright (c) Indigenous Nations Journal. For rights questions please contact the Global Indigenous Nations Studies Program, 1410 Jayhawk Blvd, 6 Lippincott Hall, University of Kansas, Lawrence, KS 66045 | |
| dc.title | A Post-Colonial Perspective on James Welch's "The Heartsong of Charging Elk" | |
| dc.type | Article | |
| dc.rights.accessrights | openAccess | |
