| dc.contributor.advisor | Caminero-Santangelo, Byron | |
| dc.contributor.author | Edoro, Ainehi | |
| dc.date.accessioned | 2009-10-12T22:11:20Z | |
| dc.date.available | 2009-10-12T22:11:20Z | |
| dc.date.issued | 2008-11-13 | |
| dc.date.submitted | 2008 | |
| dc.identifier.other | http://dissertations.umi.com/ku:10158 | |
| dc.identifier.uri | http://hdl.handle.net/1808/5504 | |
| dc.description.abstract | Using Helon Habila's Waiting for an Angel, the author argues that third generation Nigerian writers, compared to their post-independence literary forbears, articulate a more refined representation of the artist as a social entity and of writing as a collective process precisely because they do not take the social function of African writers and writings for granted. | |
| dc.format.extent | 72 pages | |
| dc.language.iso | EN | |
| dc.publisher | University of Kansas | |
| dc.rights | This item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author. | |
| dc.subject | African literature | |
| dc.title | Waiting for an Angel: Refashioning the African Writing Self | |
| dc.type | Thesis | |
| dc.contributor.cmtemember | Soyinka, Omofolabo | |
| dc.thesis.degreeDiscipline | English | |
| dc.thesis.degreeLevel | M.A. | |
| kusw.oastatus | na | |
| kusw.oapolicy | This item does not meet KU Open Access policy criteria. | |
| kusw.bibid | 7079056 | |
| dc.rights.accessrights | openAccess | |
