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dc.contributor.advisorBruss, Kristine
dc.contributor.authorWendelin, Greta
dc.date.accessioned2009-08-07T21:39:29Z
dc.date.available2009-08-07T21:39:29Z
dc.date.issued2009-014-27
dc.date.submitted2009
dc.identifier.otherhttp://dissertations.umi.com/ku:10295
dc.identifier.urihttp://hdl.handle.net/1808/5381
dc.description.abstractIn 1999, A Return to Modesty was published, wherein Wendy Shalit argued for sexism. Shalit's book received a fair amount of support and attention, yet also elicited some reviews which were extremely opposed to Shalit's argument for sexism. Shalit's second book, Girls Gone Mild: Young Women Reclaim Self-Respect and Find It's Not Bad to Be Good, was released in 2007 and is a startling departure from A Return to Modesty. Shalit made a tactical decision in Girls Gone Mild to appropriate a former enemy, feminism. A rhetorical analysis of these two works reveals that Shalit employs arguments of definition when arguing for sexism and feminism--first, she argues for real definitions within A Return to Modesty. Within Girls Gone Mild, Shalit modifies this strategy into what I call "founders' intent."
dc.format.extent105 pages
dc.language.isoEN
dc.publisherUniversity of Kansas
dc.rightsThis item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author.
dc.subjectLanguage
dc.subjectRhetoric and composition
dc.subjectWomen's studies
dc.subjectDefinition
dc.subjectFeminism
dc.subjectSexism
dc.subjectShalit, Wendy
dc.titleFrom Sexism to Feminism: Arguments of Definition in A Return to Modesty and Girls Gone Mild
dc.typeThesis
dc.contributor.cmtememberRowland, Robert C.
dc.contributor.cmtememberTell, Dave
dc.thesis.degreeDisciplineCommunication Studies
dc.thesis.degreeLevelM.A.
kusw.oastatusna
kusw.oapolicyThis item does not meet KU Open Access policy criteria.
kusw.bibid6857547
dc.rights.accessrightsopenAccess


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