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dc.contributor.advisorWestergard, Gina
dc.contributor.authorHoward, Aimee M.
dc.date.accessioned2009-08-07T14:26:08Z
dc.date.available2009-08-07T14:26:08Z
dc.date.issued2009-06-02
dc.date.submitted2009
dc.identifier.otherhttp://dissertations.umi.com/ku:10388
dc.identifier.urihttp://hdl.handle.net/1808/5362
dc.description.abstractThis body of artwork entitled Entelechy: potentiality has become an actuality, consists of two interrelated series of object based sculptures addressing different facets of medicine and healing. The first series comments on modern medical science's attempts to keep the temporal body in a state of unnatural perfection. This work addresses a rejection of the human body's natural tendency to deteriorate. The second series in this body of work investigates emotional disorders that naturally arise in conjunction to physical ailments.
dc.format.extent30 pages
dc.language.isoEN
dc.publisherUniversity of Kansas
dc.rightsThis item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author.
dc.subjectFine arts
dc.subjectDesign and decorative arts
dc.subjectArt
dc.subjectDesign
dc.subjectEntelechy
dc.subjectMetalsmith
dc.subjectThesis
dc.titleEntelechy: Potentiality has become an actuality
dc.typeThesis
dc.contributor.cmtememberHavener, Jon
dc.contributor.cmtememberStanionis, Lin
dc.thesis.degreeDisciplineDesign
dc.thesis.degreeLevelM.A.
kusw.oastatusna
kusw.oapolicyThis item does not meet KU Open Access policy criteria.
kusw.bibid6857561
dc.rights.accessrightsopenAccess


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