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dc.contributor.advisorMaude, Marshall
dc.contributor.authorMuhlhausen, Sara Elizabeth
dc.date.accessioned2023-07-04T17:08:39Z
dc.date.available2023-07-04T17:08:39Z
dc.date.issued2020-05-31
dc.date.submitted2020
dc.identifier.otherhttp://dissertations.umi.com/ku:17095
dc.identifier.urihttps://hdl.handle.net/1808/34500
dc.description.abstractMy art practice is a blend of academic research and installation of large-scale figurative ceramic pieces within sacred architectural environments. My work is a reaction to the fragmented representations of women in the Catholic Bible. Popular culture, political legislation and network news outlets have adopted the tactics of the Bible to continue the control of women. The figures are manifestations of the effects of biblical rhetoric on the lives and psyches of Catholic women, and those who have survived sexual trauma. I use pornography, pop culture, and biblical narratives to inform my sculptures and installations. I distort these works to conflate the grotesque and the enticing in ways that are similar to the representations of women within the biblical narratives. Below, I will expand on how …like a decay in our bones uses this research.
dc.format.extent30 pages
dc.language.isoen
dc.publisherUniversity of Kansas
dc.rightsCopyright held by the author.
dc.subjectFine arts
dc.subjectCatholic
dc.subjectCeramics
dc.subjectFeminist
dc.subjectFigurative
dc.subjectReligious Critique
dc.subjectSculpture
dc.title...like a decay in our bones
dc.typeThesis
dc.contributor.cmtememberGross, Sarah
dc.contributor.cmtememberRosenthal, Benjamin
dc.contributor.cmtememberHartman, Tanya
dc.thesis.degreeDisciplineVisual Art
dc.thesis.degreeLevelM.F.A.
dc.identifier.orcidhttps://orcid.org/0000-0003-2219-1306en_US
dc.rights.accessrightsopenAccess


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