| dc.contributor.advisor | McCrea, Judith | |
| dc.contributor.author | Gaucin, Juan Diego | |
| dc.date.accessioned | 2023-07-03T20:59:36Z | |
| dc.date.available | 2023-07-03T20:59:36Z | |
| dc.date.issued | 2020-05-31 | |
| dc.date.submitted | 2020 | |
| dc.identifier.other | http://dissertations.umi.com/ku:17107 | |
| dc.identifier.uri | https://hdl.handle.net/1808/34479 | |
| dc.description.abstract | Borders: Separation, Detention, and Dehumanization is an exhibition that calls attention to the worsening situation at the southern border. The show is composed of large paintings and drawings, depicting scenes of either separation or detention, and an element of human suffering portrayed by deformation or ambiguation of the human form. | |
| dc.format.extent | 13 pages | |
| dc.language.iso | en | |
| dc.publisher | University of Kansas | |
| dc.rights | Copyright held by the author. | |
| dc.subject | Latin American studies | |
| dc.subject | Art history | |
| dc.subject | Art criticism | |
| dc.subject | Abstraction | |
| dc.subject | Drawing | |
| dc.subject | Figurative | |
| dc.subject | Fine Art | |
| dc.subject | Immigration | |
| dc.subject | Oil Painting | |
| dc.title | Borders: Separation, Detention, and Dehumanization | |
| dc.type | Thesis | |
| dc.contributor.cmtemember | Hartman, Tanya | |
| dc.contributor.cmtemember | Kreuger, Michael | |
| dc.contributor.cmtemember | McCaffrey, Michael | |
| dc.thesis.degreeDiscipline | Visual Art | |
| dc.thesis.degreeLevel | M.F.A. | |
| dc.identifier.orcid | https://orcid.org/0000-0001-6172-3331 | en_US |
| dc.rights.accessrights | openAccess | |
