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Borders: Separation, Detention, and Dehumanization

dc.contributor.advisorMcCrea, Judith
dc.contributor.authorGaucin, Juan Diego
dc.date.accessioned2023-07-03T20:59:36Z
dc.date.available2023-07-03T20:59:36Z
dc.date.issued2020-05-31
dc.date.submitted2020
dc.identifier.otherhttp://dissertations.umi.com/ku:17107
dc.identifier.urihttps://hdl.handle.net/1808/34479
dc.description.abstractBorders: Separation, Detention, and Dehumanization is an exhibition that calls attention to the worsening situation at the southern border. The show is composed of large paintings and drawings, depicting scenes of either separation or detention, and an element of human suffering portrayed by deformation or ambiguation of the human form.
dc.format.extent13 pages
dc.language.isoen
dc.publisherUniversity of Kansas
dc.rightsCopyright held by the author.
dc.subjectLatin American studies
dc.subjectArt history
dc.subjectArt criticism
dc.subjectAbstraction
dc.subjectDrawing
dc.subjectFigurative
dc.subjectFine Art
dc.subjectImmigration
dc.subjectOil Painting
dc.titleBorders: Separation, Detention, and Dehumanization
dc.typeThesis
dc.contributor.cmtememberHartman, Tanya
dc.contributor.cmtememberKreuger, Michael
dc.contributor.cmtememberMcCaffrey, Michael
dc.thesis.degreeDisciplineVisual Art
dc.thesis.degreeLevelM.F.A.
dc.identifier.orcidhttps://orcid.org/0000-0001-6172-3331en_US
dc.rights.accessrightsopenAccess


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