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dc.contributor.authorThomas, M’Balia
dc.date.accessioned2023-05-22T16:39:24Z
dc.date.available2023-05-22T16:39:24Z
dc.date.issued2023-05-18
dc.identifier.citationThomas, M’Balia. Con Artist: Non-Cosplay Participation at Popular Culture Conventions as an Arts-Based Method of Inquiring Into Resistance and the Undoing of Rules, Qualitative Inquiry, https://doi.org/10.1177/10778004231176095en_US
dc.identifier.urihttps://hdl.handle.net/1808/34198
dc.descriptionThis article has been accepted for publication in Qualitative Inquiry.en_US
dc.description.abstractI conduct an inquiry into my participation as an African American woman at two popular culture conventions, the 2017 Dragon Con (Atlanta) and the 2018 annual general meeting of the Jane Austen Society of North America (Kansas City). Through a methodological approach to Con-ing—attending a popular culture convention—as arts-based inquiry and utilizing techniques of autoethnography, I inquire into my participation in spaces that, while intended to be havens of adult play, reproduce and reinforce discourses and material practices that can limit the play and participation of marginalized Others.en_US
dc.publisherSAGE Publicationsen_US
dc.rights© The Author(s) 2023. Reuse is restricted to non-commercial and no derivative uses.en_US
dc.subjectPopular culture conventionsen_US
dc.subjectAutoethnographyen_US
dc.subjectDiscourseen_US
dc.subjectPolitics and cultureen_US
dc.subjectArts-based inquiryen_US
dc.subjectWriting as method of inquiryen_US
dc.titleCon Artist: Non-Cosplay Participation at Popular Culture Conventions as an Arts-Based Method of Inquiring Into Resistance and the Undoing of Rulesen_US
dc.typeArticleen_US
kusw.kuauthorThomas, M’Balia
kusw.kudepartmentCurriculum and Teachingen_US
dc.identifier.doi10.1177/10778004231176095en_US
dc.identifier.orcidhttps://orcid.org/0000-0002-4354-2796en_US
kusw.oaversionScholarly/refereed, author accepted manuscripten_US
kusw.oapolicyThis item meets KU Open Access policy criteria.en_US
dc.rights.accessrightsopenAccessen_US


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