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dc.contributor.authorVaughan, Leslie J.
dc.date.accessioned2022-01-20T14:41:03Z
dc.date.available2022-01-20T14:41:03Z
dc.date.issued1997-04-28
dc.identifier.isbn978-0-7006-3128-5
dc.identifier.urihttp://hdl.handle.net/1808/32454
dc.descriptionLeslie J. Vaughan is visiting assistant professor of political science at the University of Minnesota, Duluth. She teaches and writes in the areas of American political thought, law, and culture.en_US
dc.descriptionThis Kansas Open Books title is funded by a grant from the National Endowment for the Humanities and the Andrew W. Mellon Foundation Humanities Open Book Program.
dc.description.abstractIn the "little rebellion" that swept New York's Greenwich Village before World War I, few figures stood out more than Randolph Bourne. Hunchbacked and caped—the "little sparrowlike man" of Dos Passos' U.S.A.—Bourne was an essayist and critic most remembered today for his opposition to U.S. military involvement in Europe and his assertion that "war is the health of the state." A frequent contributor to The New Republic, he died in 1918 at the age of 32, arguing that a "military-industrial" complex would continue to shape the policies of the modern liberal state.

Bourne is also recognized as one of the founders of American cultural radicalism, revered in turn by Marxists, anti-fascists, and the New Left. Through his writings, he debated issues that were cultural as well as political from a position he described as "below the battle," rejecting the either/or political options of his day in favor of a viewpoint that argued outside the terms set by the establishment.

In her new study of Bourne's political thought, Leslie Vaughan maintains that this position was not, as others have contended, a retreat from politics but rather a different form of political engagement, freed from the suppositions that impede genuine debate and democratic change. Her analysis challenges previous readings of Bourne's politics, showing that he offered non-statist, neighborhood-based politics in America's modern cities as a practical alternative to involvement in the national state and its militarism.

By demonstrating Bourne's emphasis on politics as local, multi-ethnic, and intergenerational, Vaughan shows that his thought offered a new political discourse and set of cultural possibilities for American society in an era he was the first to label as "post-modern." Returning to the influence of Nietzsche on his thought, she also explores the role Bourne played in the creation of his own myth.

Eighty years later, Bourne can be seen to stand at the cusp of the modern and the post-modern worlds, as he speaks to today's multiculturalist movement. In reexamining Bourne's writings, Vaughan has located the roots of twenthieth-century radical thought while repositioning Bourne at the center of debates about the nature and limits of American liberalism.
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dc.format.extentxii, 266 pp.
dc.publisherUniversity Press of Kansasen_US
dc.relation.isversionofhttps://kansaspress.ku.edu/978-0-7006-3174-2.htmlen_US
dc.rights© 1997 by the University Press of Kansas. All rights reserved. Reissued in 2021. The text of this book is licensed under a Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International Public License.en_US
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0en_US
dc.titleRandolph Bourne and the Politics of Cultural Radicalismen_US
dc.typeBooken_US
dc.identifier.doihttps://doi.org/10.17161/1808.32454
dc.rights.accessrightsopenAccessen_US


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© 1997 by the University Press of Kansas. All rights reserved. Reissued in 2021. The text of this book is licensed under a Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International Public License.
Except where otherwise noted, this item's license is described as: © 1997 by the University Press of Kansas. All rights reserved. Reissued in 2021. The text of this book is licensed under a Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International Public License.