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    Andrzej Munk’s cinema of internalized exile (1957--1961)

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    Fackler_Julius_Schartz_2007_6599292.pdf (716.9Kb)
    Issue Date
    2007-05-31
    Author
    Fackler, Julius Schartz
    Publisher
    University of Kansas
    Type
    Thesis
    Degree Level
    M.A.
    Discipline
    Theatre & Film
    Rights
    This item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author.
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    Abstract
    This thesis defines Andrzej Munk's feature films as a cinema of internalized exile by conducting a stylistic analysis of Man on the Tracks (1957), Eroica, (1958), Bad Luck (1960), and Passenger (1961). I extend Melinda Szaloky's use of the concept of internal exile in her thematic analysis of postwar Hungarian orphan films and discuss Munk's tight and claustrophobic cinema using Hamid Naficy's concept of the "closed cinematic form." I argue first, Munk's cinema is one of internalized exile, because his mise-en-scene expresses the characters' isolation, anxiety, and feelings of homelessness because of the burden of nationalism, and second because Munk's characters find no agency from international spaces due to limited mobility imposed by the state and exclusion from the international community.
    Description
    Thesis (M.A.)--University of Kansas, Theatre & Film, 2007.
    URI
    http://hdl.handle.net/1808/31997
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    • Theses [3828]

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    Contact KU ScholarWorks
    785-864-8983
    KU Libraries
    1425 Jayhawk Blvd
    Lawrence, KS 66045
    785-864-8983

    KU Libraries
    1425 Jayhawk Blvd
    Lawrence, KS 66045
    Image Credits
     

     

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