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A comparison of and performance practice guide to two editions of the Boccherini Cello Concerto in B-flat Major
| dc.contributor.author | Holmes, David M. | |
| dc.date.accessioned | 2021-04-22T23:32:31Z | |
| dc.date.available | 2021-04-22T23:32:31Z | |
| dc.date.issued | 1992-05-31 | |
| dc.identifier.uri | http://hdl.handle.net/1808/31598 | |
| dc.description | D.M.A. University of Kansas, Music and Dance 1992 | |
| dc.description.abstract | This document compares the popular and eclectic Friedrich Grűtzmacher edition of the Boccherini B-flat Major Cello Concerto (published in 1895) with the more recent and historically accurate Richard Sturzenegger edition of the same work (published in 1949). A comparison of these two editions raises intriguing historical and performance practice issues pertinent to music of the eighteenth and nineteenth centuries. | en_US |
| dc.publisher | University of Kansas | en_US |
| dc.rights | This item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author. | en_US |
| dc.title | A comparison of and performance practice guide to two editions of the Boccherini Cello Concerto in B-flat Major | en_US |
| dc.type | Dissertation | en_US |
| dc.thesis.degreeDiscipline | Music and Dance | |
| dc.thesis.degreeLevel | D.M.A. | |
| kusw.bibid | 1473562 | |
| dc.rights.accessrights | openAccess | en_US |
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