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dc.contributor.authorNedbal, Martin
dc.date.accessioned2021-01-09T07:17:36Z
dc.date.available2021-01-09T07:17:36Z
dc.date.issued2019-04
dc.identifier.urihttp://hdl.handle.net/1808/31086
dc.descriptionThe article also includes an annotated edition of a previously unpublished memoir by Nettl. The memoir was written in Indiana in the late 1940s and contains a number of previously unknown details not only about Nettl’s biography, but also about the history of Central European musicology and the cultural life of Prague’s German community before WWII.en_US
dc.description.abstractBohemian-American musicologist Paul Nettl spent an early part of his career in Prague but emigrated to the United States in 1939, after the Nazi occupation of Czechoslovakia. This article examines Nettl’s writings on Bohemian history and culture, including his scholarly articles, lectures for the general public, and autobiographical essays. These materials include both English and German sources, published article s, unpublished manuscripts and typescripts preserved in Nettl’s estate at Indiana University, and typescripts of radio programs from the Czech Radio Archive. These materials illuminate the complex issues of national and ethnic identity in pre-WWII Czechoslovakia and within the post-WWII Central European emigrant community in the United States. The examination shows that despite, or perhaps because of, his Bohemian and Jewish roots, Nettl exhibited a life-long commitment to the doctrine of German cultural superiority, that this ideology was in fact compatible with his commitment to multiculturalism, and that his attitudes to specifically Czech culture fluctuated, depending on the political situation in Central Europe, between a rejection and a hesitant acknowledgment. Some of these fluctuating attitudes were also connected to Nettl’s Jewishness and other elements that made him a life-long outsider as a German in pre-WWII Czechoslovakia, a Jew in the German-Bohemian community, and a Central European emigrant in America. This article argues that within the social and political upheavals affecting Nettl and his family, the ideology of German cultural superiority represented a stabilizing element and an absolute, unquestionable value.en_US
dc.publisherInstitute of Art History of the Czech Academy of Sciences
dc.relation.isversionofhttp://hudebniveda.cz/en/
dc.subjectPaul Nettlen_US
dc.subjectBruno Nettlen_US
dc.subjectGustav Beckingen_US
dc.subjectHeinrich Rietschen_US
dc.subjectCzechoslovak musicologyen_US
dc.subjectSudeten-German musicen_US
dc.subjectGermannessen_US
dc.subjectStamitzen_US
dc.subjectBiberen_US
dc.subjectCzechoslovak Radioen_US
dc.titleMusic History and Ethnicity from Prague to Indiana: Paul Nettl, Eighteenth-Century Bohemia and Germannessen_US
dc.typeArticleen_US
kusw.kuauthorNedbal, Martin
kusw.kudepartmentMusicen_US
kusw.oaversionScholarly/refereed, publisher versionen_US
kusw.oapolicyThis item meets KU Open Access policy criteria.en_US
dc.rights.accessrightsopenAccessen_US


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