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dc.contributor.authorCohen, Matt
dc.date.accessioned2020-06-03T16:10:47Z
dc.date.available2020-06-03T16:10:47Z
dc.date.issued2014-05-01
dc.identifier.urihttp://hdl.handle.net/1808/30410
dc.descriptionDigital Humanities Seminar, University of Kansas. Institute for Digital Research in the Humanities & Hall Center for the Humanities. May 1, 2014: http://idrh.ku.edu

Matt Cohen is at UT-Austin.
en_US
dc.description.abstractThis talk is about methodology in the humanities. It begins with a discussion of the most basic practice of humanities research: note-taking. Annotations, marginalia, all of the methods of sifting, highlighting, and gathering: these are the substrate of our larger claims and discoveries. Such is the case even when we are working with “big data,” topic modeling, natural language processing, and other automated techniques for what Franco Moretti has called “distant reading.” The talk then reflects on the claims for methodology in and as what is being called the digital humanities. These observations emerge at the junction of two occasions. The first is a project to digitize the poet Walt Whitman’s annotations and marginalia, his personal metadata on his reading. This NEH-funded project is at the end of its first phase, and will be published later this year for free access at the Walt Whitman Archive (http://www.whitmanarchive.org/). The second spur is the active conversation about the digital humanities as a methodological crucible or fountain; both the tenor and the content of that conversation are occasions for considering the status of method in the humanities.en_US
dc.relation.isversionofhttps://youtu.be/XowR7sggJkEen_US
dc.subjectdigitalen_US
dc.subjecthumanitiesen_US
dc.titleEditing Walt Whitman’s Marginalia Today: Digital Humanities Methods at the Edgeen_US
dc.typeVideoen_US
dc.rights.accessrightsopenAccessen_US


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