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dc.contributor.authorEmerson, Lori
dc.date.accessioned2020-05-06T20:21:09Z
dc.date.available2020-05-06T20:21:09Z
dc.date.issued2015-11-16
dc.identifier.urihttp://hdl.handle.net/1808/30323
dc.descriptionDigital Humanities Seminar, University of Kansas, Institute for Digital Research in the Humanities & Hall Center for the Humanities, November 16th, 2015.

Lori Emerson is at the University of Colorado at Boulder.
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dc.description.abstractLab-based Tinkering and Open-ended Play in the Era of the Posthumanities.

Nearly all digital media labs are conceived of as places for experimental research using the most up-to-date, cutting-edge tools available. However, the Media Archaeology Lab (MAL) is a place for hands-on, cross-disciplinary experimental research and teaching using still-functioning but obsolete tools, software, hardware, platforms from the past. What the MAL does best is that it provides direct access to defining moments in the history of computing and digital literature. The MAL is also a kind of thinking device in that providing access to the utterly unique, material specificity of these computers, their interfaces, platforms, and software makes it possible to defamiliarize or make visible for critique contemporary, invisible interfaces and platforms. It’s an approach to media of the present via media of the past that aligns the lab with the vibrant field of “media archaeology.” In her talk, Lori Emerson will discuss the history and philosophy of the Media Archaeology Lab along with how her current research projects - “Other Networks” and “The Lab Book: Situated Practices in Media Studies - are part-and-parcel of the lab.
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dc.relation.isversionofhttps://youtu.be/GCPkbGOfFTAen_US
dc.subjectMedia Archaeologyen_US
dc.subjectHumanities Laben_US
dc.subjectDigital Humanitiesen_US
dc.titleLab-based Tinkering and Open-ended Play in the Era of the Posthumanitiesen_US
dc.typeVideoen_US
dc.rights.accessrightsopenAccessen_US


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