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dc.contributor.authorCharlton, James
dc.date.accessioned2020-04-28T19:31:03Z
dc.date.available2020-04-28T19:31:03Z
dc.date.issued2013-09-14
dc.identifier.urihttp://hdl.handle.net/1808/30289
dc.descriptionDigital Humanities Forum: Return to the Material. University of Kansas. September 14, 2013: http://idrh.ku.edu/dhforum2013

James Charlton is at the Aukland University of Technology.
en_US
dc.description.abstractThis paper explores the implications of integrating Computer Aided Design (CAD) and Computer Aided Manufacturing (CAM) system and processes with conventional fabrication practices in the context of contemporary art and design practice. It seeks to explore the constraints and affordances of these technologies and identify methodological challenges they present.en_US
dc.relation.isversionofhttps://youtu.be/VJ2ZYoxAIzken_US
dc.subjectDigitalen_US
dc.subjectHumanitiesen_US
dc.subjectComputer Aided Designen_US
dc.subjectComputer Aided Manufacturingen_US
dc.subjectDesignen_US
dc.subjectDigital Humanitiesen_US
dc.titleMaking Space on the Workbench: The Methodological Implications of Computer Aided Design on Art and Design Practiceen_US
dc.typeVideoen_US
dc.rights.accessrightsopenAccessen_US


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