| dc.contributor.author | Charlton, James | |
| dc.date.accessioned | 2020-04-28T19:31:03Z | |
| dc.date.available | 2020-04-28T19:31:03Z | |
| dc.date.issued | 2013-09-14 | |
| dc.identifier.uri | http://hdl.handle.net/1808/30289 | |
| dc.description | Digital Humanities Forum: Return to the Material. University of Kansas. September 14, 2013: http://idrh.ku.edu/dhforum2013James Charlton is at the Aukland University of Technology. | en_US |
| dc.description.abstract | This paper explores the implications of integrating Computer Aided Design (CAD) and Computer Aided Manufacturing (CAM) system and processes with conventional fabrication practices in the context of contemporary art and design practice. It seeks to explore the constraints and affordances of these technologies and identify methodological challenges they present. | en_US |
| dc.relation.isversionof | https://youtu.be/VJ2ZYoxAIzk | en_US |
| dc.subject | Digital | en_US |
| dc.subject | Humanities | en_US |
| dc.subject | Computer Aided Design | en_US |
| dc.subject | Computer Aided Manufacturing | en_US |
| dc.subject | Design | en_US |
| dc.subject | Digital Humanities | en_US |
| dc.title | Making Space on the Workbench: The Methodological Implications of Computer Aided Design on Art and Design Practice | en_US |
| dc.type | Video | en_US |
| kusw.oanotes | Deposited in ScholarWorks at the request of the Institute for Digital Research in the Humanities. | en_US |
| dc.rights.accessrights | openAccess | en_US |
