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dc.contributor.advisorZelnick, Stephanie
dc.contributor.advisorLaird, Paul
dc.contributor.authorHarbaugh, Justin Martin
dc.date.accessioned2019-09-06T22:23:05Z
dc.date.available2019-09-06T22:23:05Z
dc.date.issued2019-05-31
dc.date.submitted2019
dc.identifier.otherhttp://dissertations.umi.com/ku:16547
dc.identifier.urihttp://hdl.handle.net/1808/29590
dc.description.abstractThe purpose of this document is to provide clarinetists with a performance guide for Óscar Navarro’s Concerto No. 2 for Clarinet and Orchestra, or Wind Band. A biography of the composer, as well as an annotated bibliography of Navarro's works for clarinet, illustrates his expansion of the repertoire and significance as a contemporary composer. An analysis examines Navarro’s integration of flamenco, minimalism, and New Age styles in the context of this concerto. An interview with the composer via email furthers the understanding of his compositional process. The final portion of the document examines the use of extended techniques, trill fingerings, and challenging passages to provide the performer with practice strategies.
dc.format.extent72 pages
dc.language.isoen
dc.publisherUniversity of Kansas
dc.rightsCopyright held by the author.
dc.subjectMusic
dc.subjectPerforming arts
dc.subjectClarinet
dc.subjectConcerto
dc.subjectFlamenco
dc.subjectGuide
dc.subjectMinimalism
dc.subjectNavarro
dc.titleA Performance Guide for Óscar Navarro’s Concerto No. 2 for Clarinet and Orchestra, or Wind Band: Use of Flamenco Structure within a Classical Form
dc.typeDissertation
dc.contributor.cmtememberSmith, Matthew O
dc.contributor.cmtememberGnojek, Vince
dc.contributor.cmtememberHilding, Jerel
dc.thesis.degreeDisciplineMusic
dc.thesis.degreeLevelD.M.A.
dc.identifier.orcidhttps://orcid.org/0000-0003-1648-0814
dc.rights.accessrightsopenAccess


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