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    The Italian Canzona and Its Migration North

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    Good_ku_0099D_16594_DATA_1.pdf (5.891Mb)
    Issue Date
    2019-05-31
    Author
    Good, Nicholas
    Publisher
    University of Kansas
    Format
    42 pages
    Type
    Dissertation
    Degree Level
    D.M.A.
    Discipline
    Music
    Rights
    Copyright held by the author.
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    Abstract
    ABSTRACT The birth of the Italian canzona occurred at about the same time as Petrucci’s first printing of music by moveable type at the beginning of the sixteenth century. Initially the canzona involved the intabulation of secular French chansons, but it soon became an independent musical genre. The factors that led to the spread of the canzona genre throughout Europe included the wide dissemination of Frescobaldi’s Fiori Musicali, the regular pilgrimages by young musicians to study in Italy, and the spread of Italian musicians throughout European courts and churches during the late Renaissance and early Baroque periods. This document compares the development and characteristics of the canzona in the Venetian school with the Neapolitan school in a period from 1523 to about 1700. It also examines the ways in which northern European composers embraced the canzona while adapting to the requirements of producing both secular concert works and liturgical music.
    URI
    http://hdl.handle.net/1808/29582
    Collections
    • Music Dissertations and Theses [338]
    • Dissertations [4321]

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    785-864-8983
    KU Libraries
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    785-864-8983

    KU Libraries
    1425 Jayhawk Blvd
    Lawrence, KS 66045
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    Contact KU ScholarWorks
    785-864-8983
    KU Libraries
    1425 Jayhawk Blvd
    Lawrence, KS 66045
    785-864-8983

    KU Libraries
    1425 Jayhawk Blvd
    Lawrence, KS 66045
    Image Credits
     

     

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