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dc.contributor.advisorPopiel, Paul W
dc.contributor.authorWaldron, Nicholas Power
dc.date.accessioned2019-06-12T03:42:39Z
dc.date.available2019-06-12T03:42:39Z
dc.date.issued2019-05-31
dc.date.submitted2019
dc.identifier.otherhttp://dissertations.umi.com/ku:16359
dc.identifier.urihttp://hdl.handle.net/1808/29324
dc.description.abstractAbstract For more than forty years, David Maslanka (1943–2017) was a prolific composer for every musical medium. With significant contributions to chamber music, solo literature, vocal settings, and symphony orchestras, his works for wind band have garnered the most success. In addition to composing eight symphonies for band between 1985 and 2017, Maslanka's other significant works for band include, A Child’s Garden of Dreams (1981), Concerto for Alto Saxophone and Wind Ensemble (1999), Give Us This Day (2006), and Liberation (2010). His distinctive musical voice emerges in each of these works as he explores a wide gamut of emotions. Within his works for band, performers and audiences experience a composer with full control of the wind band’s range of forces and palette of colors. Through some of the most technically challenging literature written for wind band, Maslanka creates incredibly powerful moments comprised of surprisingly simple gestures. This document is an examination of David Maslanka’s piece for symphonic wind ensemble and chorus, Liberation. Included within this paper are sections covering: biographical information of the composer; Maslanka’s compositional approach; and information about the origin, inspiration, and source material, addressing formal structure, and performance considerations; in addition to appendices of errata, recommended program notes, and communication with the Maslanka Foundation.
dc.format.extent50 pages
dc.language.isoen
dc.publisherUniversity of Kansas
dc.rightsCopyright held by the author.
dc.subjectMusic
dc.subjectBand
dc.subjectChoir
dc.subjectChorus
dc.subjectDavid Maslanka
dc.subjectLiberation
dc.subjectWind Ensemble
dc.titleDavid Maslanka’s Liberation: A Conductor’s Analysis
dc.typeDissertation
dc.contributor.cmtememberSmith, Matthew O
dc.contributor.cmtememberToulouse, Sharon
dc.contributor.cmtememberRoust, Colin
dc.contributor.cmtememberJohnson, Christopher M
dc.thesis.degreeDisciplineMusic
dc.thesis.degreeLevelD.M.A.
dc.identifier.orcidhttps://orcid.org/0000-0003-4966-8960
dc.rights.accessrightsopenAccess


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