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dc.contributor.advisorBauer, Michael
dc.contributor.authorClasse, Ian
dc.date.accessioned2019-06-12T03:37:12Z
dc.date.available2019-06-12T03:37:12Z
dc.date.issued2019-05-31
dc.date.submitted2019
dc.identifier.otherhttp://dissertations.umi.com/ku:16528
dc.identifier.urihttp://hdl.handle.net/1808/29323
dc.description.abstractAmerican organ music prior to the twentieth century is a somewhat neglected area of organ study due to biases of early-twentieth-century academia. This lecture seeks to better familiarize the audience with a small section of that neglected study by examining the relationship between the organs, composers, and compositions of the Centennial era (ca. 1870–1900) through the lens of organ registration. This particular period of nineteenth-century American music became the era when American composers developed a quintessentially American culture around the organ—a culture which would provide the foundation for much of what came after it. By examining this period and its contributions, we gain a better understanding of later musical developments in the organ world and an appreciation for what came before.
dc.format.extent34 pages
dc.language.isoen
dc.publisherUniversity of Kansas
dc.rightsCopyright held by the author.
dc.subjectMusic
dc.subjectMusic history
dc.subject19th century
dc.subjectAmerican
dc.subjectcentennial
dc.subjectDudley Buck
dc.subjectorgan
dc.subjectregistration
dc.titlePipes of the Past: Registration Practices of Selected Composers for the American Centennial Era Organ
dc.typeDissertation
dc.contributor.cmtememberHigdon, James
dc.contributor.cmtememberFreund Schwartz, Roberta
dc.contributor.cmtememberOsborn, Brad
dc.contributor.cmtememberEarle, Susan
dc.thesis.degreeDisciplineMusic
dc.thesis.degreeLevelD.M.A.
dc.identifier.orcid
dc.rights.accessrightsopenAccess


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