Show simple item record

dc.contributor.advisorWelch, Tara
dc.contributor.authorNiemi, Katri
dc.date.accessioned2019-05-12T19:25:39Z
dc.date.available2019-05-12T19:25:39Z
dc.date.issued2018-05-31
dc.date.submitted2018
dc.identifier.otherhttp://dissertations.umi.com/ku:15979
dc.identifier.urihttp://hdl.handle.net/1808/27933
dc.description.abstractVirgil’s works have been interpreted in striking ways during periods of political upheaval in the 20th and 21st centuries. Following the end of World War I, Benito Mussolini saw the Aeneid, Eclogues, and Georgics as good resources for re-unifying Italy due to the values and themes they promoted, especially agrarianism, empire, and war. Mussolini’s readings of these texts were entirely optimistic and programmatic. After World War II, a shift occurred in interpretations of the Aeneid towards pessimism that came to be known as “The Harvard School of Thought”. These scholars saw a darkness and negativity not understood before in the text. Finally, the Alt-Right movement of the 2010s interprets the Aeneid as pro-white and anti-immigration. Given these three unique readings, the applicability and relevance Virgil and his works have to modern politics and wars are clear, as is the malleability of their interpretations based on people’s agendas.
dc.format.extent99 pages
dc.language.isoen
dc.publisherUniversity of Kansas
dc.rightsCopyright held by the author.
dc.subjectClassical studies
dc.subjectClassical literature
dc.subjectAeneid
dc.subjectEclogues
dc.subjectGeorgics
dc.subjectPolitics
dc.subjectVergil
dc.subjectVirgil
dc.title20th and 21st Century Political Interpretations of Virgil’s Aeneid, Eclogues, and Georgics
dc.typeThesis
dc.contributor.cmtememberScioli, Emma
dc.contributor.cmtememberRabe, Anne
dc.thesis.degreeDisciplineClassics
dc.thesis.degreeLevelM.A.
dc.identifier.orcid
dc.rights.accessrightsopenAccess


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record