| dc.contributor.advisor | Rosenthal, Benjamin | |
| dc.contributor.author | Castano-Marquez, Juan Jose | |
| dc.date.accessioned | 2019-05-12T18:52:04Z | |
| dc.date.available | 2019-05-12T18:52:04Z | |
| dc.date.issued | 2018-05-31 | |
| dc.date.submitted | 2018 | |
| dc.identifier.other | http://dissertations.umi.com/ku:15913 | |
| dc.identifier.uri | http://hdl.handle.net/1808/27905 | |
| dc.description.abstract | La Mano Izquierda: an Essay on Erasure is an archival exhibition that utilizes video, installation, performance, alternative storytelling, and textiles to develop a multi-sensory space that incorporates strategies inherent to the museological and archival disciplines. All these elements come together to form a museological display of the hand-made remains of the lives and memories of a biomythographical queer guerrilla group called La Mano Izquierda. The artworks that compose the exhibition explore issues of identity, queerness, race, loss, memory, erasure, reclamation, and revival. | |
| dc.format.extent | 28 pages | |
| dc.language.iso | en | |
| dc.publisher | University of Kansas | |
| dc.rights | Copyright held by the author. | |
| dc.subject | Art history | |
| dc.subject | Art | |
| dc.subject | Biomythography | |
| dc.subject | Brown | |
| dc.subject | Medellin | |
| dc.subject | Poetry | |
| dc.subject | Queer | |
| dc.title | La Mano Izquierda: an Essay on Erasure | |
| dc.type | Thesis | |
| dc.contributor.cmtemember | Hartman, Tanya | |
| dc.contributor.cmtemember | Nam, Yoonmi | |
| dc.contributor.cmtemember | Mesick-Braun, Cassandra | |
| dc.thesis.degreeDiscipline | Visual Art | |
| dc.thesis.degreeLevel | M.F.A. | |
| dc.identifier.orcid | https://orcid.org/0000-0001-5701-1593 | |
| dc.rights.accessrights | openAccess | |
