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dc.contributor.advisorRosenthal, Benjamin
dc.contributor.authorCastano-Marquez, Juan Jose
dc.date.accessioned2019-05-12T18:52:04Z
dc.date.available2019-05-12T18:52:04Z
dc.date.issued2018-05-31
dc.date.submitted2018
dc.identifier.otherhttp://dissertations.umi.com/ku:15913
dc.identifier.urihttp://hdl.handle.net/1808/27905
dc.description.abstractLa Mano Izquierda: an Essay on Erasure is an archival exhibition that utilizes video, installation, performance, alternative storytelling, and textiles to develop a multi-sensory space that incorporates strategies inherent to the museological and archival disciplines. All these elements come together to form a museological display of the hand-made remains of the lives and memories of a biomythographical queer guerrilla group called La Mano Izquierda. The artworks that compose the exhibition explore issues of identity, queerness, race, loss, memory, erasure, reclamation, and revival.
dc.format.extent28 pages
dc.language.isoen
dc.publisherUniversity of Kansas
dc.rightsCopyright held by the author.
dc.subjectArt history
dc.subjectArt
dc.subjectBiomythography
dc.subjectBrown
dc.subjectMedellin
dc.subjectPoetry
dc.subjectQueer
dc.titleLa Mano Izquierda: an Essay on Erasure
dc.typeThesis
dc.contributor.cmtememberHartman, Tanya
dc.contributor.cmtememberNam, Yoonmi
dc.contributor.cmtememberMesick-Braun, Cassandra
dc.thesis.degreeDisciplineVisual Art
dc.thesis.degreeLevelM.F.A.
dc.identifier.orcid0000-0001-5701-1593
dc.rights.accessrightsopenAccess


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