dc.contributor.advisor | Popiel, Paul W. | |
dc.contributor.author | Mitchell, Tonya | |
dc.date.accessioned | 2019-05-10T16:47:12Z | |
dc.date.available | 2019-05-10T16:47:12Z | |
dc.date.issued | 2018-05-31 | |
dc.date.submitted | 2018 | |
dc.identifier.other | http://dissertations.umi.com/ku:15828 | |
dc.identifier.uri | http://hdl.handle.net/1808/27848 | |
dc.description.abstract | This document functions as an examination of Aaron Perrine’s (1979) Beneath a Canvas of Green (2018), a work for percussion ensemble and wind band. Included in this paper are sections outlining the composer’s background, the conception and commissioning process of the piece, a conductor’s analysis, rehearsal considerations, final thoughts regarding the necessity of new commissions and their impact on the development of band repertoire, as well as a historical overview of the percussion ensemble and list of similar works for this medium. | |
dc.format.extent | 97 pages | |
dc.language.iso | en | |
dc.publisher | University of Kansas | |
dc.rights | Copyright held by the author. | |
dc.subject | Music | |
dc.subject | Aaron Perrine | |
dc.subject | Beneath | |
dc.subject | Beneath a Canvas of Green | |
dc.subject | Green | |
dc.subject | Multipercussion | |
dc.subject | Percussion Ensemble | |
dc.title | Beneath a Canvas of Green: A Conductor's Analysis and Comprehensive Survey of Related Works for Percussion Ensemble and Winds | |
dc.type | Dissertation | |
dc.contributor.cmtemember | Smith, Matthew O. | |
dc.contributor.cmtemember | Toulouse, Sharon | |
dc.contributor.cmtemember | Pierce, Forrest | |
dc.contributor.cmtemember | Bergee, Martin | |
dc.thesis.degreeDiscipline | Music | |
dc.thesis.degreeLevel | D.M.A. | |
dc.identifier.orcid | https://orcid.org/0000-0002-6247-2666 | |
dc.rights.accessrights | openAccess | |