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dc.contributor.authorMielke, Laura L.
dc.date.accessioned2019-04-16T15:39:47Z
dc.date.available2019-04-16T15:39:47Z
dc.date.issued2019
dc.identifier.citationMielke, Laura L. Provocative Eloquence: Theatre, Violence, and Anti-Slavery Speech in the Antebellum United States. University of Michigan Press, 2019.en_US
dc.identifier.urihttp://hdl.handle.net/1808/27745
dc.description.abstractIn the mid-19th century, rhetoric surrounding slavery was permeated by violence. Slavery’s defenders often used brute force to suppress opponents, and even those abolitionists dedicated to pacifism drew upon visions of widespread destruction. Provocative Eloquence recounts how the theater, long an arena for heightened eloquence and physical contest, proved terribly relevant in the lead up to the Civil War. As anti-slavery speech and open conflict intertwined, the nation became a stage. The book brings together notions of intertextuality and interperformativity to understand how the confluence of oratorical and theatrical practices in the antebellum period reflected the conflict over slavery and deeply influenced the language that barely contained that conflict. The book draws on a wide range of work in performance studies, theater history, black performance theory, oratorical studies, and literature and law to provide a new narrative of the interaction of oratorical, theatrical, and literary histories of the nineteenth-century U.S.en_US
dc.publisherUniversity of Michigan Pressen_US
dc.titleProvocative Eloquence: Theater, Violence, and Antislavery Speech in the Antebellum United Statesen_US
dc.typeBooken_US
kusw.kuauthorMielke, Laura L.
kusw.kudepartmentEnglishen_US
dc.identifier.doi10.3998/mpub.9958574
dc.rights.accessrightsembargoedAccessen_US


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