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dc.contributor.authorTsubaki, Andrew
dc.contributor.author椿, アンドリュー T
dc.date.accessioned2019-02-01T22:26:01Z
dc.date.available2019-02-01T22:26:01Z
dc.date.issued2001-10
dc.identifier.citationTsubaki, Andrew 椿, アンドリュー T. "Beikoku Ni Okeru nōgaku kenkyū No Jittai to Watakushi No nō kyōgen o chūshin to Shita Enshutsu katsudō (3) -1960-Nendai Kara 20-Seiki No Owari Made-." 米国における能楽研究の実態と私の能狂言を中心とした演出活動 (3)ー 一九六〇年代から20世紀の終わりまでー" ” (The condition of nōgaku studies in North America and my directing activities concerning nō and kyōgen (3): from the 1960s to the end of the 20th century). 総合芸術としての能. Sōgō Geijutsu to Shite No nō (Nō as the Comprehensive Art), no. 9, 8AD (2001): 6-14.en_US
dc.identifier.urihttp://hdl.handle.net/1808/27669
dc.descriptionThis is the third part of an eight-part essay.en_US
dc.description.abstractAndrew Tsubaki reports on the study of Nō musical theatre in the United States during the 1960s and the later twentieth century.en_US
dc.description.sponsorshipUniversity of Kansas Center for East Asian Studiesen_US
dc.publisherZeami gakkai 世阿弥学会 (Zeami Association)en_US
dc.relation.ispartofseriesCenter for East Asian Studies Scholarly Works;
dc.subjectNoh Musicen_US
dc.subjectKyōgenen_US
dc.subjectNohen_US
dc.subjectNōen_US
dc.subject20th Centuryen_US
dc.subjectUnited Statesen_US
dc.subject能楽en_US
dc.subject狂言en_US
dc.subjectAndrew Tsubakien_US
dc.subject世阿弥学会en_US
dc.subjectZeami Associationen_US
dc.subjectゼアミ ガッカイen_US
dc.title米国における能楽研究の実態と私の能狂言を中心とした演出活動 (3) ―1960年代から20世紀の終わりまでーen_US
dc.title.alternativeBeikoku ni okeru nōgaku kenkyū no jittai to watakushi no nō kyōgen o chūshin to shita enshutsu katsudō (3) -1960-nendai kara 20-seiki no owari made-en_US
dc.typeArticleen_US
kusw.kuauthorTsubaki, Andrew
kusw.kudepartmentDepartment of Theatre and Filmen_US
kusw.kudepartmentEast Asian Languages and Culturesen_US
kusw.oaversionScholarly/refereed, publisher versionen_US
kusw.oapolicyThis item does not meet KU Open Access policy criteria.en_US
dc.rights.accessrightsopenAccessen_US


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