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    Theatre at the Birth of Semiotics: Charles Sanders Peirce, François Delsarte, and Steele Mackaye

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    Issue Date
    2013
    Author
    Fischer, Iris Smith
    Publisher
    Indiana University Press
    Type
    Article
    Article Version
    Scholarly/refereed, author accepted manuscript
    Published Version
    https://muse.jhu.edu/article/536359
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    Abstract
    This paper explores the role theatre played in the life of Charles Peirce and his second wife, Juliette, from 1884–1888. Peirce became acquainted with playwright and director Steele Mackaye, who trained Juliette in the acting techniques associated with “aesthetic expression,” a movement derived from the work of François Delsarte. I first trace the Peirces’ interactions with Mackaye during this period. The paper then demonstrates affinities between Peirce’s semeiotic account of cognition as mediated through feeling and sensation and the architecture of Delsarte’s system of actor training. The latter employs Delsarte’s semeiotique as an analytical tool for conveying the dramatic character’s inner life. A function of mind, semeiotique intertwines with the functions of life and soul to complete the actor’s task. The affinities between these two accounts of semeiotic emerge from the paper’s analysis of Peirce’s 1888 essay on aesthetic expression, “Trichotomic,” and related passages from A Guess at the Riddle.
    URI
    http://hdl.handle.net/1808/24750
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    • English Scholarly Works [308]
    Citation
    Fischer, I. S. "Theatre at the Birth of Semiotics: Charles Sanders Peirce, François Delsarte, and Steele Mackaye." Transactions of the Charles S. Peirce Society: A Quarterly Journal in American Philosophy, vol. 49 no. 3, 2013, pp. 371-394. Project MUSE, muse.jhu.edu/article/536359.

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    Contact KU ScholarWorks
    785-864-8983
    KU Libraries
    1425 Jayhawk Blvd
    Lawrence, KS 66045
    785-864-8983

    KU Libraries
    1425 Jayhawk Blvd
    Lawrence, KS 66045
    Image Credits
     

     

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