Show simple item record

dc.contributor.advisorBauer, Michael J
dc.contributor.authorRau, Laura M.
dc.date.accessioned2017-05-15T01:00:15Z
dc.date.available2017-05-15T01:00:15Z
dc.date.issued2016-12-31
dc.date.submitted2016
dc.identifier.otherhttp://dissertations.umi.com/ku:15054
dc.identifier.urihttp://hdl.handle.net/1808/24149
dc.description.abstractThis lecture-recital document presents a study of the missa cum populo, a new genre of Catholic liturgical music developed during the twentieth century in response to the desire for more active participation of laity in worship. Relevant twentieth century liturgical documents will be cited as a means of understanding concepts important in the reformed Catholic Mass: the treasury of sacred music, participation of the assembly, and the role of the choir. A history of the missa cum populo will then be presented and missa cum populo settings by Hermann Schroeder, Anton Heiller, Norman Dello Joio, and Richard Proulx will be examined to illustrate the techniques composers use to overcome the difficulties of writing music that employs both trained and untrained ensembles. Finally, this document supports the use of missa cum populo settings in contemporary Catholic worship.
dc.format.extent33 pages
dc.language.isoen
dc.publisherUniversity of Kansas
dc.rightsCopyright held by the author.
dc.subjectReligion
dc.subjectMusic
dc.subjectactive participation
dc.subjectCatholic
dc.subjectchoir
dc.subjectliturgy
dc.subjectMass Ordinary
dc.subjectmissa cum populo
dc.titleMissa cum populo: a Liturgical and Musical Innovation
dc.typeDissertation
dc.contributor.cmtememberHigdon, James
dc.contributor.cmtememberMurphy, Scott
dc.contributor.cmtememberMurray, Michael
dc.contributor.cmtememberRoust, Colin
dc.thesis.degreeDisciplineMusic
dc.thesis.degreeLevelD.M.A.
dc.identifier.orcid
dc.rights.accessrightsopenAccess


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record