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    SELECTING FINGERING FOR PERFORMING MOZART’S PIANO MUSIC

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    Chai_ku_0099D_14947_DATA_1.pdf (1.624Mb)
    Issue Date
    2016-12-31
    Author
    Chai, Congcong
    Publisher
    University of Kansas
    Format
    44 pages
    Type
    Dissertation
    Degree Level
    D.M.A.
    Discipline
    Music
    Rights
    Copyright held by the author.
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    Abstract
    The purpose of finger selection for composers and musicians has changed since the 18th century due to many factors. In order to understand how fingering selection can serve a composer’s musical intention, this paper concentrates on the study of historical treatises and performance practice, the development of the aesthetic of music, the development of the keyboard instrument, and the anatomy of the hand. In the second half of this paper, I experiment with various fingering ideas in Mozart’s Fantasy in D minor, K. 397 and Piano Sonata in B flat major, K. 333. The result of this experimentation led to the discovery that once pianists liberate their minds to accept new fingering options, they will broaden their musical abilities, both physically and intellectually. However, the fingering study needs further research on more musical examples from the 18th and 19th century.
    URI
    http://hdl.handle.net/1808/23912
    Collections
    • Dissertations [4475]
    • Music Dissertations and Theses [335]

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    785-864-8983

    KU Libraries
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    Lawrence, KS 66045
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    Contact KU ScholarWorks
    785-864-8983
    KU Libraries
    1425 Jayhawk Blvd
    Lawrence, KS 66045
    785-864-8983

    KU Libraries
    1425 Jayhawk Blvd
    Lawrence, KS 66045
    Image Credits
     

     

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