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    A Brief History of Live Cinema and Rehearsal Considerations for Metropolis Triptych by Nathan Jones

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    Issue Date
    2016-05-31
    Author
    Smyth, Steven Laverne
    Publisher
    University of Kansas
    Format
    60 pages
    Type
    Dissertation
    Degree Level
    D.M.A.
    Discipline
    Music
    Rights
    Copyright held by the author.
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    Abstract
    Since the late 1970s, there has been a renewed interest in the music that accompany films from the Silent Film Era (1895–1930), sparking both the revival of original scores and the composition of new scores for silent films. These modern scores involve a diverse collection of artists, musical styles, and venues that—in combination with the silent film themselves—belong to a new genre termed live cinema. Since the mid-1980s, enthusiasm for live cinema has grown and can be an important vehicle of expression for composers. To better understand this genre, it is necessary to explore both the history and performance practice of the Silent Film Era, as well as the live cinema movement of today. These new film scores employ a variety of styles and instrumentation, yet few compositions are written for wind band. I have collaborated with composer Nathan Jones and film editor Chad Jacobsen to create and perform a work based on the film Metropolis (1927, dir. Fritz Lang). Our piece, entitled Metropolis Triptych, will include a 33-minute version of the original film, edited into three movements. It is our hope that this project will influence other composers and performers to produce similar works for wind band and film.
    URI
    http://hdl.handle.net/1808/23512
    Collections
    • Music Dissertations and Theses [338]
    • Dissertations [4473]

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    KU Libraries
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    Contact KU ScholarWorks
    785-864-8983
    KU Libraries
    1425 Jayhawk Blvd
    Lawrence, KS 66045
    785-864-8983

    KU Libraries
    1425 Jayhawk Blvd
    Lawrence, KS 66045
    Image Credits
     

     

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