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dc.contributor.advisorJordan, Mary Anne
dc.contributor.authorDavid, Jaime Leah
dc.date.accessioned2017-03-28T23:39:55Z
dc.date.available2017-03-28T23:39:55Z
dc.date.issued2015-05-31
dc.date.submitted2015
dc.identifier.otherhttp://dissertations.umi.com/ku:13978
dc.identifier.urihttp://hdl.handle.net/1808/23509
dc.description.abstractColor Machine is a continued exploration of the manipulation and perception of color. By paying homage to modernist paintings, I attempt to question whether a quilt can transcend its function and become a field of color in which the viewer can feel the color relatedness. I have always been drawn to modernist works in both architecture and design. Having a degree and professional career working as a designer, I tend to have an analytical process of creating that is often rooted in the function of the work. Simultaneously, I am fascinated by the historical context and personal meaningfulness of the traditional art of quiltmaking. My desire to reconcile these aspects of my personality drives the work that I make. I hope this quilted work can offer a point of contemplation for the artist, designer and quilter alike.
dc.format.extent35 pages
dc.language.isoen
dc.publisherUniversity of Kansas
dc.rightsCopyright held by the author.
dc.subjectFine arts
dc.subjectColor
dc.subjectQuilting
dc.subjectQuilts
dc.subjectRandom Generation
dc.subjectSewing Machine
dc.subjectTextiles
dc.titleColor Machine
dc.typeThesis
dc.contributor.cmtememberBrackett, David
dc.contributor.cmtememberBurke, Matthew
dc.contributor.cmtememberHartman, Tanya
dc.thesis.degreeDisciplineVisual Art
dc.thesis.degreeLevelM.F.A.
dc.identifier.orcid
dc.rights.accessrightsopenAccess


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