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Antonín Dvořák, the Piano Duet and Nationalism

dc.contributor.advisorSmith, Scott McBride
dc.contributor.authorJiang, Qichen
dc.date.accessioned2016-11-11T00:11:30Z
dc.date.available2016-11-11T00:11:30Z
dc.date.issued2015-12-31
dc.date.submitted2015
dc.identifier.otherhttp://dissertations.umi.com/ku:14411
dc.identifier.urihttp://hdl.handle.net/1808/21922
dc.description.abstractAbstract In this document, I will focus on two main topics: the piano duet and nationalism as shown in Antonín Dvořák’s Slavonic Dances Op.46. I will describe stylistic features of writing in them with discussions of the main pedagogical points.
dc.format.extent45 pages
dc.language.isoen
dc.publisherUniversity of Kansas
dc.rightsCopyright held by the author.
dc.subjectMusic
dc.subjectAntonín Dvořák
dc.subjectnationalism
dc.subjectOp.46
dc.subjectpiano duet
dc.subjectpiano pedagogy
dc.subjectSlavonic Dances
dc.titleAntonín Dvořák, the Piano Duet and Nationalism
dc.typeDissertation
dc.contributor.cmtememberWinerock, Jack
dc.contributor.cmtememberHaaheim, Bryan Kip
dc.contributor.cmtememberLevin, Alicia
dc.contributor.cmtememberLi, Yan
dc.thesis.degreeDisciplineMusic
dc.thesis.degreeLevelD.M.A.
dc.identifier.orcid
dc.rights.accessrightsopenAccess


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