Scoring Loss in Some Recent Popular Film and Television

Murphy, Scott

dc.contributor.author	Murphy, Scott
dc.date.accessioned	2016-10-06T19:22:04Z
dc.date.available	2016-10-06T19:22:04Z
dc.date.issued	2014-09-24
dc.identifier.citation	Murphy, Scott. Scoring Loss in Some Recent Popular Film and Television. Music Theory Spectrum (Fall 2014) 36 (2): 295-314 first published online September 24, 2014 https://doi.org/10.1093/mts/mtu014	en_US
dc.identifier.uri	http://hdl.handle.net/1808/21619
dc.description	This is a pre-copyedited, author-produced PDF of an article accepted for publication in Music Theory Spectrum following peer review. The version of record is available online at: https://doi.org/10.1093/mts/mtu014
dc.description.abstract	A certain tonally- and temporally oriented progression of two triads, dwelt upon usually through undulation, accompanies scenes depicting the contemplation of a considerable sorrowful loss in many popular films and throughout one television program produced between 1985 and 2012. In lieu of any strong stylistic precedent for this musico-dramatic association, certain structural relationships between the two triads relative to other triadic pairings may account for possible motivations of the association.	en_US
dc.publisher	Oxford University Press	en_US
dc.subject	Film music	en_US
dc.subject	Television music	en_US
dc.subject	Tonality	en_US
dc.subject	Triadic harmony	en_US
dc.subject	Triadic transformation	en_US
dc.subject	Mediant triad	en_US
dc.subject	Loss	en_US
dc.subject	Sorrow	en_US
dc.subject	Homology	en_US
dc.subject	James Horner	en_US
dc.subject	Cocoon	en_US
dc.title	Scoring Loss in Some Recent Popular Film and Television	en_US
dc.type	Article	en_US
kusw.kuauthor	Murphy, Scott
kusw.kudepartment	Music	en_US
dc.identifier.doi	10.1093/mts/mtu014	en_US
kusw.oaversion	Scholarly/refereed, author accepted manuscript	en_US
kusw.oapolicy	This item meets KU Open Access policy criteria.	en_US
dc.rights.accessrights	openAccess

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