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Scoring Loss in Some Recent Popular Film and Television

dc.contributor.authorMurphy, Scott
dc.date.accessioned2016-10-06T19:22:04Z
dc.date.available2016-10-06T19:22:04Z
dc.date.issued2014-09-24
dc.identifier.citationMurphy, Scott. Scoring Loss in Some Recent Popular Film and Television. Music Theory Spectrum (Fall 2014) 36 (2): 295-314 first published online September 24, 2014 https://doi.org/10.1093/mts/mtu014en_US
dc.identifier.urihttp://hdl.handle.net/1808/21619
dc.descriptionThis is a pre-copyedited, author-produced PDF of an article accepted for publication in Music Theory Spectrum following peer review. The version of record is available online at: https://doi.org/10.1093/mts/mtu014
dc.description.abstractA certain tonally- and temporally oriented progression of two triads, dwelt upon usually through undulation, accompanies scenes depicting the contemplation of a considerable sorrowful loss in many popular films and throughout one television program produced between 1985 and 2012. In lieu of any strong stylistic precedent for this musico-dramatic association, certain structural relationships between the two triads relative to other triadic pairings may account for possible motivations of the association.en_US
dc.publisherOxford University Pressen_US
dc.subjectFilm musicen_US
dc.subjectTelevision musicen_US
dc.subjectTonalityen_US
dc.subjectTriadic harmonyen_US
dc.subjectTriadic transformationen_US
dc.subjectMediant triaden_US
dc.subjectLossen_US
dc.subjectSorrowen_US
dc.subjectHomologyen_US
dc.subjectJames Horneren_US
dc.subjectCocoonen_US
dc.titleScoring Loss in Some Recent Popular Film and Televisionen_US
dc.typeArticleen_US
kusw.kuauthorMurphy, Scott
kusw.kudepartmentMusicen_US
dc.identifier.doi10.1093/mts/mtu014en_US
kusw.oaversionScholarly/refereed, author accepted manuscripten_US
kusw.oapolicyThis item meets KU Open Access policy criteria.en_US
dc.rights.accessrightsopenAccess


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