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dc.contributor.advisorLaird, Paul
dc.contributor.authorNeedham, Olivia
dc.date.accessioned2016-10-05T02:49:17Z
dc.date.available2016-10-05T02:49:17Z
dc.date.issued2016-05-31
dc.date.submitted2016
dc.identifier.otherhttp://dissertations.umi.com/ku:14607
dc.identifier.urihttp://hdl.handle.net/1808/21614
dc.description.abstractThis document is about Stravinsky and his violin writing during his neoclassical period, 1920-1951. Stravinsky is one of the most important neo-classical composers of the twentieth century. The purpose of this document is to examine how Stravinsky upholds his neoclassical aesthetic in his violin writing through his two pieces, Suite italienne and Duo Concertant. In these works, Stravinsky’s use of neoclassicism is revealed in two opposite ways. In Suite Italienne, Stravinsky based the composition upon actual music from the eighteenth century. In Duo Concertant, Stravinsky followed the stylistic features of the eighteenth century without parodying actual music from that era. Important types of violin writing are described in these two works by Stravinsky, which are then compared with examples of eighteenth-century violin writing.
dc.format.extent45 pages
dc.language.isoen
dc.publisherUniversity of Kansas
dc.rightsCopyright held by the author.
dc.subjectMusic
dc.subject
dc.titleSTRAVINSKY’S NEO-CLASSICISM AND HIS WRITING FOR THE VIOLIN IN SUITE ITALIENNE AND DUO CONCERTANT
dc.typeDissertation
dc.contributor.cmtememberMathieu, Véronique
dc.contributor.cmtememberHaaheim, Bryan
dc.contributor.cmtememberKramp, Philip
dc.contributor.cmtememberHilding, Jerel
dc.thesis.degreeDisciplineMusic
dc.thesis.degreeLevelD.M.A.
dc.identifier.orcid
dc.provenance04/04/2017: The ETD release form is attached to this record as a license file.
dc.rights.accessrightsopenAccess


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