dc.contributor.advisor | Haaheim, Bryan Kip | |
dc.contributor.advisor | Davidson, Michael | |
dc.contributor.author | Chu, Cheng-Wu | |
dc.date.accessioned | 2016-10-05T02:24:20Z | |
dc.date.available | 2016-10-05T02:24:20Z | |
dc.date.issued | 2016-05-31 | |
dc.date.submitted | 2016 | |
dc.identifier.other | http://dissertations.umi.com/ku:14463 | |
dc.identifier.uri | http://hdl.handle.net/1808/21605 | |
dc.description.abstract | This study focuses on two early solo trombone and electronic music pieces, Edward Diemente’s Hosanna II, and Walter Ross' Prelude, Fugue and Big Apple, both composed in the early 1970s. It begins with a brief history of works for trombone and electronic media to explain the musical lineage of each of the compositions. Each piece is analyzed in detail with regard to form and compositional technique; the paper also includes a comparison of the two works. An appendix includes a list of 29 works for trombone and electronic media. | |
dc.format.extent | 54 pages | |
dc.language.iso | en | |
dc.publisher | University of Kansas | |
dc.rights | Copyright held by the author. | |
dc.subject | Music | |
dc.subject | Performing arts | |
dc.subject | BASS TROMBONE | |
dc.subject | Cheng Wu Chu | |
dc.subject | ELECTRONIC MUSIC | |
dc.subject | hosanna II | |
dc.subject | prelude fugue big apple | |
dc.subject | William Chu | |
dc.title | A COMPARATIVE ANALYSIS OF TWO SEMINAL WORKS FOR SOLO BASS TROMBONE WITH ELECTRONIC ACCOMPANIMENT | |
dc.type | Dissertation | |
dc.contributor.cmtemember | Haaheim, Bryan Kip | |
dc.contributor.cmtemember | Davidson, Michael | |
dc.contributor.cmtemember | Stevens, Paul | |
dc.contributor.cmtemember | Watson, Scott | |
dc.contributor.cmtemember | Li, Yan | |
dc.thesis.degreeDiscipline | Music | |
dc.thesis.degreeLevel | D.M.A. | |
dc.identifier.orcid | | |
dc.provenance | 04/04/2017: The ETD release form is attached to this record as a license file. | |
dc.rights.accessrights | openAccess | |