Show simple item record

dc.contributor.advisorHaaheim, Bryan Kip
dc.contributor.advisorDavidson, Michael
dc.contributor.authorChu, Cheng-Wu
dc.date.accessioned2016-10-05T02:24:20Z
dc.date.available2016-10-05T02:24:20Z
dc.date.issued2016-05-31
dc.date.submitted2016
dc.identifier.otherhttp://dissertations.umi.com/ku:14463
dc.identifier.urihttp://hdl.handle.net/1808/21605
dc.description.abstractThis study focuses on two early solo trombone and electronic music pieces, Edward Diemente’s Hosanna II, and Walter Ross' Prelude, Fugue and Big Apple, both composed in the early 1970s. It begins with a brief history of works for trombone and electronic media to explain the musical lineage of each of the compositions. Each piece is analyzed in detail with regard to form and compositional technique; the paper also includes a comparison of the two works. An appendix includes a list of 29 works for trombone and electronic media.
dc.format.extent54 pages
dc.language.isoen
dc.publisherUniversity of Kansas
dc.rightsCopyright held by the author.
dc.subjectMusic
dc.subjectPerforming arts
dc.subjectBASS TROMBONE
dc.subjectCheng Wu Chu
dc.subjectELECTRONIC MUSIC
dc.subjecthosanna II
dc.subjectprelude fugue big apple
dc.subjectWilliam Chu
dc.titleA COMPARATIVE ANALYSIS OF TWO SEMINAL WORKS FOR SOLO BASS TROMBONE WITH ELECTRONIC ACCOMPANIMENT
dc.typeDissertation
dc.contributor.cmtememberHaaheim, Bryan Kip
dc.contributor.cmtememberDavidson, Michael
dc.contributor.cmtememberStevens, Paul
dc.contributor.cmtememberWatson, Scott
dc.contributor.cmtememberLi, Yan
dc.thesis.degreeDisciplineMusic
dc.thesis.degreeLevelD.M.A.
dc.identifier.orcid
dc.provenance04/04/2017: The ETD release form is attached to this record as a license file.
dc.rights.accessrightsopenAccess


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record