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dc.contributor.advisorLester, Cheryl
dc.contributor.authorHemmingsen, Amanda
dc.date.accessioned2016-01-03T03:19:47Z
dc.date.available2016-01-03T03:19:47Z
dc.date.issued2015-08-31
dc.date.submitted2015
dc.identifier.otherhttp://dissertations.umi.com/ku:14140
dc.identifier.urihttp://hdl.handle.net/1808/19537
dc.description.abstractThe genre of dystopian novels has long been theorized from a historical materialist lens. Utopian longing, which is the didactic focus of dystopian texts, functions as much from emotion as cogniti The genre of dystopian novels has long been theorized from a historical materialist lens. Utopian longing, which is the didactic focus of dystopian texts, functions as much from emotion as cognition. Historical materialist readings tend to undervalue emotion in tracing a character’s shifting relationship to the dystopian sociopolitical landscape that the character finds him or herself in. Using three dystopian novels, Stand on Zanzibar (1968), We Who Are About To… (1977) and Do Androids Dream of Electric Sheep, this paper outlines recent theory of emotion in sociology, psychology and cultural studies in order to argue for the importance of attending to emotion in interpreting the relationship between characters and their sociopolitical context.on.
dc.format.extent60 pages
dc.language.isoen
dc.publisherUniversity of Kansas
dc.rightsCopyright held by the author.
dc.subjectAmerican literature
dc.subjectDystopia
dc.subjectEmotion
dc.subjectUtopian Longing
dc.titleDystopian Literature, Emotion, and Utopian Longing
dc.typeThesis
dc.contributor.cmtememberLester, Cheryl
dc.contributor.cmtememberMcKitterick, Chris
dc.contributor.cmtememberAnatol, Giselle
dc.thesis.degreeDisciplineEnglish
dc.thesis.degreeLevelM.A.
dc.rights.accessrightsopenAccess


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